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Monsieur, je souscris pour le tremblement de terre des Batignolles... 1844. Creator: Honore Daumier
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Monsieur, je souscris pour le tremblement de terre des Batignolles... 1844. Creator: Honore Daumier
Monsieur, je souscris pour le tremblement de terre des Batignolles... 1844. Monsieur, je souscris pour le tremblement de terre des Batignolles, voici deux francs, mais inserez bien mon nom et mon adresse dans votre journal: Rigolard philantrope papetier, rue St Honore, 345, tient pendules, platres de Dantan, verres de Boheme, riding-stick anglais, allumettes chimiques allemandes et generalement tout ce qui ne concerne pas son etat!'. Sir, I would like to subscribe for the earth quake at Batignolles...here are two Francs, but take down properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honore 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter'. From Les Philantropes du jour
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Media ID 36352827
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Claim Claiming Daumier Honore Daumier Honore Victorin Earthquake Funny H Daumier Honore Daumier Honore Victorin Daumier Insurance Insurance Company Lithographic Top Hat Tophat Lithotint Parody Satirical
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Monsieur, je souscris pour le tremblement de terre des Batignolles... 1844
EDITORS COMMENTS
(Sir, I would like to subscribe for the earth quake at Batignolles... 1844) is a captivating lithograph by the renowned French artist Honore Daumier. Created in 1844, this satirical work is a part of Daumier's series "Les Philantropes du jour" (The Philanthropists of the Day), which showcases the absurdities and follies of Parisian society. In this image, a well-dressed man, identified as Rigolard, a philanthropist and stationer, is shown holding out two francs and addressing the viewer with a request to ensure that his name and address are accurately recorded in the newspaper, as he wishes to subscribe to the "earthquake at Batignolles." The title of the print refers to the earthquake that occurred in Batignolles, a district in Paris, in 1835. The man's attire, consisting of a top hat, a coat, and a cane, is typical of the fashionable clothing of the time. The use of black and white in the print adds to its timeless and classic appeal. The print can be seen as a commentary on the human tendency to seek insurance or protection for even the most unlikely events, and the absurdity of the situation is heightened by the fact that the man is asking for his name and address to be published in a newspaper, which was not an insurance company at the time. This lithograph is a testament to Daumier's keen observational skills and his ability to capture the humor and absurdities of everyday life in 19th century France. It is a valuable addition to any collection of 19th century art, and a must-see for anyone interested in the history of art, satire, and the social commentary of the time. This image is part of the collection of the Los Angeles County Museum of Art (LACMA) and is a great example of the rich heritage of art and culture that LACMA preserves and shares with the world. It is a reminder of the power of art to entertain, provoke thought, and provide insights into the human condition.
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