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A Moral Entertainment, Boston, 1938. Creator: Unknown
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A Moral Entertainment, Boston, 1938. Creator: Unknown
A Moral Entertainment, Boston, 1938. "A Moral Entertainment" - "An excursion into the early American Theatre" - by Richard Maibaum - Copley Theatre'. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers, re-employ them on public relief, and to bring theater to thousands in the United States who had never before seen live theatrical performances
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Media ID 36278739
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Administration Works Progress Comedy Cultural Event Federal Theatre Project Maibaum Richard New Deal Pilgrim Pilgrims Playbill Quakers Richard Maibaum Show Stage Show Works Progress Administration Graphic Design Playhouse
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A Moral Entertainment - An Excursion into the Early American Theatre,
EDITORS COMMENTS
a captivating playbill from the Copley Theatre in Boston, 1938, invites audiences to an enriching cultural event. This intriguing piece of American heritage art is attributed to the enigmatic creator, Unknown. The Federal Theatre Project, an initiative of the U.S. Works Progress Administration (WPA) established in 1935, brought theatre to the masses and conserved the skills of theatre workers during the Great Depression. This playbill, a testament to the era's artistic and political climate, showcases a diverse array of productions. Among them, "A Moral Entertainment," a comedy that promises to transport audiences back in time to explore the early American theatre scene. The vibrant graphic design, with its bold lettering and rich color palette, reflects the optimistic spirit of the New Deal era. The playbill's intriguing title, "A Moral Entertainment," hints at a production that delves into the intersection of morality, comedy, and American history. The image of a Pilgrim and a Quaker, two iconic symbols of American heritage, adds an element of religious and political intrigue. The playbill's text, penned by Richard Maibaum, further entices potential attendees with its promise of a "Christianity, Pilgrims, Quakers, Pilgrim Play, and a Playhouse full of fun!" This playbill serves as a reminder of the transformative power of the arts during a time of economic hardship and political upheaval. It invites us to reflect on the rich cultural heritage of the United States and the enduring impact of the Federal Theatre Project.
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