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Mourning putti hanging garlands on a monument, 1677-1755. Creator: Elias van Nijmegen
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Mourning putti hanging garlands on a monument, 1677-1755. Creator: Elias van Nijmegen
Mourning putti hanging garlands on a monument, 1677-1755. Design for a painting
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Media ID 36332089
© Heritage Art/Heritage Images
1670s 1680s 1690s 1700s 1710s 1720s 1730s 1740s 1750s Amorini Cherubim Elias Van Nijmegen Elias Van Nymegen Elias Van Nymeguen Garland Garlands Grief Grieving Hanging Mourning Nijmegen Elias Van Nymegen Elias Van Nymeguen Elias Van Studies Watercolor Paint Angelic Cherubs Putti
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EDITORS COMMENTS
This sketch, titled "Mourning Putti Hanging Garlands on a Monument," is a beautiful and poignant design for a painting created by the renowned Dutch artist Elias van Nijmegen between the years 1677 and 1755. The image transports us back to the 17th and 18th centuries, a time of exquisite artistry and intricate detail. The scene unfolds with a group of putti, or cherubs, tenderly and solemnly adorning a monument with garlands of flowers. The delicate and ethereal figures, with their cherubic features and winged forms, embody the essence of grief and mourning. Their expressions convey a deep sense of sadness and longing, adding to the poignant atmosphere of the piece. The monument, adorned with intricate carvings and ornate details, serves as a backdrop to the scene. The putti's garlands, composed of an array of vibrant flowers and lush plants, bring a touch of nature to the monument, creating a striking contrast between the permanence of stone and the fleeting beauty of blooms. Elias van Nijmegen masterfully captures the concept of death and grief through the use of color and composition in this sketch. The muted tones of the monument and the putti's robes are contrasted by the vivid hues of the flowers, emphasizing the transient nature of life. The skillful use of ink, pencil, and watercolor paint lends the piece a sense of depth and texture, making it a true masterpiece of the heritage art world. This poignant and evocative design for a painting, with its intricate details and profound emotional depth, is a testament to the artistic prowess of Elias van Nijmegen and the rich cultural heritage of the 17th and 18th centuries.
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