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Mr. Burchells First Visit, from The Vicar of Wakefield, May 1, 1817
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Mr. Burchells First Visit, from The Vicar of Wakefield, May 1, 1817
Mr. Burchells First Visit, from " The Vicar of Wakefield", May 1, 1817
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Media ID 19985008
© Heritage Art/Heritage Images
Ackermann Ackermann R Ackermann Rudolph Dining Table Domestic Domestic Life Eating Goldsmith Goldsmith Oliver Household Oliver Oliver Goldsmith R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Servant Servants The Vicar Of Wakefield Thomas Rowlandson Aquatint Hand Tinted
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Mr. Burchell's First Visit - A Glimpse into Domestic Life in 19th Century Britain
EDITORS COMMENTS
. This print, created by Thomas Rowlandson in May 1817, offers a vivid portrayal of an ordinary day in the household of Mr. Burchell from Oliver Goldsmith's renowned novel "The Vicar of Wakefield". The scene unfolds around a bustling dining table where family members and servants gather for a meal. Rowlandson's masterful use of aquatint and hand coloring brings to life the intricate details of this domestic setting. Every figure is meticulously rendered, showcasing the artist's keen eye for capturing human expression and character. In this snapshot of daily life, we witness women fulfilling their traditional roles as caretakers and homemakers while men engage in conversation about matters both trivial and profound. The atmosphere exudes warmth and familiarity, inviting viewers to immerse themselves in the intimate world depicted on paper. As we delve deeper into the image, we notice subtle hints at each individual's occupation or profession - symbols that reflect their place within society during this era. The presence of servants highlights the social hierarchy prevalent at the time, emphasizing class distinctions even within one's own home. Through this remarkable artwork housed at The Metropolitan Museum of Art, we are transported back to early 19th century Britain - a time when literature like Goldsmith's "The Vicar of Wakefield" held great influence over societal norms and values. Rowlandson skillfully captures not only
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