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Mrs. Thomas Riley Marshall, 1913. Creator: Harris & Ewing. Mrs. Thomas Riley Marshall, 1913. Creator: Harris & Ewing

Mrs. Thomas Riley Marshall, 1913. Creator: Harris & Ewing. Mrs. Thomas Riley Marshall, 1913. Creator: Harris & Ewing


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Mrs. Thomas Riley Marshall, 1913. Creator: Harris & Ewing. Mrs. Thomas Riley Marshall, 1913. Creator: Harris & Ewing

Mrs. Thomas Riley Marshall, 1913. Lois Irene Marshall, wife of Thomas R. Marshall, US vice president

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Media ID 36293208

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Chauffeur George Harris George William Harris Ewing Harris Ewing Martha George W George W Harris Harris Harris And Ewing Harris Ewing Harris Ewing Collection Harris Ewing Inc Harris Ewing Photographic Studio Harris George W Kuntze Martha Martha Ewing Martha Ewing Newcombe Martha Kuntze Newcombe Martha Ewing


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EDITORS COMMENTS
Mrs. Thomas Riley Marshall, 1913: A Portrait of Lois Irene Marshall, Wife of the Vice President This photograph, taken by the renowned Harris & Ewing studio in 1913, captures a moment in the life of Lois Irene Marshall. At the time, she was the proud wife of Thomas Riley Marshall, who would later become the 28th Vice President of the United States. The image shows Lois Irene Marshall sitting elegantly in the back seat of an automobile. Her expression is serene and confident, as if she is fully at ease with the world around her. The car, a symbol of modernity and progress, is driven by a chauffeur, adding to the sense of luxury and refinement. Lois Irene Marshall, also known as Lois Kimsey Marshall or Lois Irene Kimsey, was born in 1883 in Indiana. She married Thomas Riley Marshall in 1905, and they had two children together. Prior to her marriage, she worked as a teacher, reflecting the many women of the era who balanced professional and domestic roles. The photograph was taken during a time when automobiles were becoming increasingly popular in American society. The image captures the excitement and allure of this new mode of transportation, as well as the changing roles of women in society. This photograph is an important historical artifact, not only for its depiction of Lois Irene Marshall, but also for its insight into the social and cultural context of early 20th century America. It is a testament to the enduring power of photography to capture and preserve moments in history.

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