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A Mrua Medicine Man and his Train, from a sketch by Lieutenant Cameron in Central Africa, 1876. Creator: Unknown
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A Mrua Medicine Man and his Train, from a sketch by Lieutenant Cameron in Central Africa, 1876. Creator: Unknown
A Mrua Medicine Man and his Train, from a sketch by Lieutenant Cameron in Central Africa, 1876. The people of Urua, or Kasongo's country, are called Mrua, by a change of prefix to the name signifying the nation instead of the territory...The Mrua "medicine man" or conjuring priest, in the grotesque pomp of his attire, with his instruments of mystification, and with his attendant train of servitors, is a rather amusing figure to meet on the road'. From "Illustrated London News", 1876
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Media ID 36363294
© The Print Collector/Heritage Images
Balance Balancing Bare Feet Cameron Verney Lovett Controversial Controversy Doctor Exploration Exploring Feet Foot Medicine Man Shaman Shamanism Verney Lovett Cameron Witch Doctor Barefoot
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EDITORS COMMENTS
This evocative print depicts a Mrua Medicine Man from Central Africa, as sketched by Lieutenant Verney Lovett Cameron in 1876. The Mrua people, also known as the Kasongo's country, are an ethnic group indigenous to the region. The Medicine Man, or conjuring priest, is a central figure in Mrua society, responsible for healing and spiritual guidance. In this image, the Medicine Man is shown in full regalia, adorned with an intricate and grotesque array of apparel, which includes a large headdress, elaborate necklaces, and an assortment of instruments used in his mystical practices. He is accompanied by a train of attendants, who appear to be balancing objects on their heads, adding to the sense of balance and harmony in the scene. The print was originally published in the Illustrated London News in 1876, providing a glimpse into the fashion and customs of the 19th century. The image is a reminder of the rich cultural heritage of Africa and the complex role of traditional healers and spiritual leaders in African societies. The Medicine Man's attire and the reverence shown to him by his followers are a testament to the deep-rooted beliefs and practices that continue to shape African communities to this day. Despite the controversy and ongoing debates surrounding the representation of African people in colonial-era imagery, this print offers a unique and intriguing insight into the past, providing a window into a world that is often overlooked in mainstream historical narratives.
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