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Mummy case and portrait of Artemidorus, from Hawara, Egypt, Roman Period, c100-c120

Mummy case and portrait of Artemidorus, from Hawara, Egypt, Roman Period, c100-c120


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Mummy case and portrait of Artemidorus, from Hawara, Egypt, Roman Period, c100-c120

Mummy case and portrait of Artemidorus, from Hawara, Egypt, Roman Period, c100-c120. The mummified body is enclosed in a red-painted stucco casing. A portrait panel has been inserted at the head of the case. It is painted in encaustic, a mixture of pigment and beeswax with a hardening agent such as resin or egg. Below the portrait is a falcon-collar and a series of traditional Egyptian funerary scenes applied in gold leaf. The identity of the dead man is preserved in a short, mis-spelled Greek inscription across the breast, which reads: Farewell, Artemidorus. This mummy represents an excellent example of the merging of cultural influences: a Greek personal name, a Roman-style portrait, together with traditional Egyptian funerary practices. CT scans have been made of Artemidorus mummy. There is evidence of damage to the bones in the area of the nose, and cracks to the back of the skull. Interestingly, there are no signs of healing. While it is possible that the damage is a result of rough treatment when the body was being mummified, the injuries may have been the result of an assault and may have even been the cause of death. Artemidorus was probably between 18 and 21 when he died, which is in keeping with the age suggested by the mummys portrait

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Media ID 14847670

© Ann Ronan Picture Library / Heritage-Images

2nd Century Coffin Encaustic Funerary Gold Leaf Mummification Mummy Mummy Case Roman Period Stucco Ancient Egyptian Ann Ronan Pictures


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> Africa > Egypt > Related Images

> Europe > Greece > Paintings

> Europe > Italy > Lazio > Rome

> Europe > Italy > Paintings

> Europe > Italy > Rome

> Europe > United Kingdom > Scotland > Falkirk > Bo'ness


EDITORS COMMENTS
This print showcases a remarkable mummy case and portrait of Artemidorus, originating from Hawara, Egypt during the Roman Period around 100-120 AD. The mummified body is encased in a vivid red-painted stucco casing, with an exquisite portrait panel inserted at the head. The portrait itself is painted using encaustic technique, employing a mixture of pigment and beeswax for longevity. Beneath the striking portrait lies a falcon-collar and a series of traditional Egyptian funerary scenes meticulously applied in shimmering gold leaf. Preserving the identity of the deceased, there is a short Greek inscription across his breast that reads: Farewell, Artemidorus. This fusion of cultural influences exemplifies this mummy as an exceptional artifact. CT scans have been conducted on Artemidorus' remains revealing intriguing findings. Evidence suggests damage to the bones around his nose and cracks at the back of his skull; however, no signs of healing are present. While it is plausible that these injuries occurred during rough treatment during embalming procedures, they may also indicate assault or even be attributed to his cause of death. Artemidorus was likely between 18 and 21 years old when he passed away – an age consistent with what his vibrant portrait suggests. This photograph not only captures the beauty and complexity of ancient Egyptian burial practices but also invites us to ponder upon Artemidorus' untold story and speculate about the circumstances surrounding his demise centuries ago.

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