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No. 7. Ye-nan-gyoung. Pagoda and Kyoung. August 14-16, 1855. Creator: Captain Linnaeus Tripe

No. 7. Ye-nan-gyoung. Pagoda and Kyoung. August 14-16, 1855. Creator: Captain Linnaeus Tripe


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No. 7. Ye-nan-gyoung. Pagoda and Kyoung. August 14-16, 1855. Creator: Captain Linnaeus Tripe

No. 7. Ye-nan-gyoung. Pagoda and Kyoung. August 14-16, 1855

Heritage Images features heritage image collections

Media ID 25335431

© Heritage Art/Heritage Images

Buddhist Buddhists Burma Burmese Captain Linnaeus Tripe Linnaeus Tripe Pagoda Tripe Captain Linnaeus Tripe Linnaeus Albumen Silver Print British Empire


FEATURES IN THESE COLLECTIONS

> Architecture > Religious

> Architecture > Styles > Buddhist Architecture

> Architecture > Styles > Empire Architecture

> Architecture > Temples

> Asia > Myanmar > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Religious Art > Religious Architecture > Temples

> Religious Art > Religious Architecture


No. 7. Ye-nan-gyoung. Pagoda and Kyoung. August 14-16,1855

EDITORS COMMENTS
is a captivating print captured by Captain Linnaeus Tripe during his visit to Burma in the late 19th century. The image showcases the remarkable architecture of a pagoda and kyoung, standing proudly against the backdrop of an enchanting landscape. The photograph transports us back in time, allowing us to witness the rich heritage and religious significance of this Burmese temple complex. With its intricate design and towering structure, the pagoda serves as a testament to the craftsmanship and devotion of Buddhist followers. Captain Linnaeus Tripe's expertise in photography is evident through this albumen silver print from waxed paper negative. His attention to detail brings out every nuance of light and shadow, emphasizing both the grandeur of the temple and its serene surroundings. As we gaze upon this historical artifact preserved at The Metropolitan Museum of Art, we are reminded not only of Burma's cultural legacy but also Britain's influence as part of their empire during that era. This photograph stands as a powerful visual representation bridging two worlds - East meets West. Through Tripe's lens, we are transported on a journey across time and space – exploring distant lands while appreciating their architectural marvels rooted in spirituality. It is an invitation to delve into history, religion, artistry, all encapsulated within one frame – an enduring testament to Captain Linnaeus Tripe

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