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Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio
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Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio
Noli Me Tangere, 1523-1524, (c1934). On a road, in the shade of a tree, Christ reveals himself to Mary Magdalene, raising an arm. Noli me tangere, means don t touch me or don t tread on me, and is the Latin version of words spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after his resurrection. Oil on panel. Held in the Museo del Prado, Madrid. From Galerias De Europa: Museo Del Prado, by A. De Beruete y Moret & Augusto L. Mayer. [Editorial Labor, S.A. Barcelona, c1934]
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Media ID 14981907
© The Print Collector
A De Beruete Allegri Antonio Antonio Allegri Antonio Allegri Da Correggio Antonio Correggio Arm Raised August Liebmann August Liebmann Mayer Augusto L Mayer Aureliano De Aureliano De Beruete Beruete Correggio Galerias De Europa Magdalene Mary Magdalene Mayer Museo Del Prado Our Saviour Saint Mary Magdalene Shade St Mary Magdalene Warning
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EDITORS COMMENTS
The print captures a moment of profound significance and emotion from the painting "Noli Me Tangere" by Correggio. In this Renaissance masterpiece, set against a serene Italian landscape, Christ reveals himself to Mary Magdalene under the shade of a tree on a quiet road. With his arm raised in gesture, he utters the words "Noli me tangere" cautioning her not to touch him after his resurrection. The composition is rich with symbolism and spirituality. The vibrant colors of nature - blues, yellows, and greens - enhance the sense of tranquility surrounding this encounter between two iconic figures. Mary Magdalene's expression reflects awe and reverence as she recognizes her savior before her. Correggio's meticulous brushwork brings depth and texture to every detail, from the delicate leaves on the tree to the folds in their garments. The oil on panel technique adds richness and luminosity to the overall composition. Housed in Madrid's Museo del Prado, this artwork continues to captivate viewers with its timeless message of faith and redemption. Through this photo print, we are transported back in time to witness an intimate moment that has resonated for centuries – a testament to Correggio's mastery as an artist capturing both human emotions and divine presence.
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