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North America (Kita Amerika shu), 1866. Creator: Utagawa Yoshitora

North America (Kita Amerika shu), 1866. Creator: Utagawa Yoshitora


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North America (Kita Amerika shu), 1866. Creator: Utagawa Yoshitora

North America (Kita Amerika shu), 1866

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Media ID 24377243

© Heritage Art/Heritage Images

Alter Americans Bonnet Bonnets Crinoline Crinolines East Meets West Europeans Hoop Skirt Hooped Hoopskirt North America Petticoat Triptych Utagawa Yoshitora West Western Westerner Westerners Yokohama Yokohama E Yoshitora Utagawa Colour Woodblock Print Metaphor


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > America

> Architecture > Religious

> Architecture > Styles > Victorian Architecture

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > Y > Utagawa Yoshitora

> Asia > Japan > Related Images

> Asia > Japan > Yokohama

> Europe > United Kingdom > Scotland > Strathclyde > Oban

> North America > United States of America > Related Images


EDITORS COMMENTS
This vibrant woodblock print by Utagawa Yoshitora, titled "North America (Kita Amerika shu), 1866" offers a captivating glimpse into the meeting of East and West during the 19th century. Set in Yokohama, Japan, this artwork beautifully captures the essence of cultural exchange between Japan and the United States. The scene depicts a Western-style church with its towering spire and intricate architectural details. Surrounding it are elegantly dressed Japanese women wearing traditional kimonos alongside Western women adorned in Victorian-era attire. The fusion of fashion styles is evident as bonnets, crinolines, and hoop skirts harmoniously coexist with kimono-clad figures. Yoshitora's artistic prowess shines through his masterful use of color and composition. The vibrant hues bring life to each character while highlighting their distinct backgrounds. This triptych format adds depth to the narrative as it showcases different perspectives within one cohesive piece. Beyond its aesthetic appeal, this print serves as a metaphor for the broader theme of East meets West. It symbolizes not only an exchange of clothing styles but also religious beliefs represented by Christianity's presence in Japan during that period. Preserved at the Art Institute Chicago, this artwork stands as a testament to Yoshitora's skill in capturing historical moments through ukiyo-e prints. It invites viewers to reflect on cross-cultural encounters that have shaped our world today while celebrating both Japanese heritage artistry and American influence during the Tokugawa period

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