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Back into Nothingness, plate fifteen from A Life, 1884. Creator: Max Klinger
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Back into Nothingness, plate fifteen from A Life, 1884. Creator: Max Klinger
Back into Nothingness, plate fifteen from A Life, 1884
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Media ID 36211182
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A Life Cave Cavern Dark Darkness Dead Drowned Drowning Dunald Mill Hole Floating Klinger Max Life Max Klinger Return Returning Sea Bed Symbolist Underwater Wreckage Aquatint Symbolism
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EDITORS COMMENTS
Max Klinger's Back into Nothingness, plate fifteen from A Life, created in 1884, is a hauntingly beautiful and thought-provoking work of Art Nouveau symbolism. The monochromatic aquatint and etching on ivory china paper laid down on cream laid paper depicts a solitary figure, a man, standing at the edge of a dark cavern or sea, gazing out at the vast expanse of water before him. The title "Back into Nothingness" suggests a sense of return or reentry into the unknown, perhaps even a journey towards death. The man, naked and vulnerable, stands with his back to the viewer, his body etched with intricate lines and textures that add depth and dimension to the print. The water below him is filled with the wreckage of a drowned ship, its remnants disappearing into the depths of the sea. The man seems to be contemplating the idea of drowning, of merging with the darkness and returning to the nothingness from which he came. The geographical feature in the background is not clearly defined, leaving the viewer to interpret it as a cave, a cavern, or perhaps a deep, dark part of the sea. The image is filled with symbolism, from the man's nakedness and vulnerability to the wreckage below, which could represent the transience of life and the inevitability of death. Max Klinger's A Life is a series of 20 prints that explore the concept of life and death, and Back into Nothingness is a powerful and evocative representation of the human experience. The print is a testament to Klinger's mastery of the etching technique and his ability to convey complex emotions through art.
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