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Numazu, Hikure, "Yellow Dusk", 1831-1834, (1930). Creator: Ando Hiroshige. Numazu, Hikure, "Yellow Dusk", 1831-1834, (1930). Creator: Ando Hiroshige
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Numazu, Hikure, "Yellow Dusk", 1831-1834, (1930). Creator: Ando Hiroshige. Numazu, Hikure, "Yellow Dusk", 1831-1834, (1930). Creator: Ando Hiroshige
Numazu, Hikure, "Yellow Dusk", 1831-1834, (1930). Pilgrims walking along a tree-lined river bank towards Numazu-juku. One is carrying a huge Tengu mask on his back. From the series Fifty-three Stations of the Tokaido Road, also known as the First Tokaido or Great Tokaido. From "The Connoisseur", Volume 86, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1930]
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Media ID 19062245
© The Print Collector/Heritage Images
Ando C Reginald Grundy Cecil Reginald Cecil Reginald Grundy Dusk Evening Full Moon Grundy Hiroshige Ichiyusai Lunar Mask Moon Pilgrim Pilgrimage Pilgrims The Connoisseur Twilight Utagawa Ando Hiroshige Ando Utagawa Hiroshige Hiroshige I Hiroshige Utagawa Ichiyusai Hiroshige Utagawa Hiroshige
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EDITORS COMMENTS
This print titled "Numazu, Hikure, Yellow Dusk" by Ando Hiroshige transports us to a serene and mystical world. Taken between 1831-1834 but printed in 1930, this artwork showcases the incredible talent of Hiroshige and his ability to capture the essence of nature. In this scene, we witness pilgrims embarking on a journey along a picturesque tree-lined river bank towards Numazu-juku. The atmosphere is imbued with tranquility as the soft yellow hues of dusk envelop the landscape. A full moon hangs delicately in the sky, casting its ethereal glow upon the surroundings. One particular pilgrim catches our attention as he carries an enormous Tengu mask on his back. This intriguing detail adds an element of mystery and folklore to the composition, leaving us wondering about its significance within their religious pilgrimage. Hiroshige's woodblock print technique brings depth and texture to every element depicted in this piece. The meticulous craftsmanship allows us to appreciate not only the beauty of nature but also Hiroshige's mastery as an artist. "The Connoisseur" edited by C. Reginald Grundy in London during 1930, featured this remarkable artwork among others from Hiroshige's series Fifty-three Stations of the Tokaido Road or Great Tokaido. As we gaze at this stunning print today, it serves as a reminder that art has no boundaries when it comes to time or space; it continues to captivate viewers across generations with its timeless beauty and storytelling prowess.
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