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Okazaki, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi), " also...1852. Creator: Ando Hiroshige. Okazaki, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi), " also...1852
![Okazaki, from the series 'Fifty-three Stations [of the Tokaido] (Gojusan tsugi), ' also...1852. Creator: Ando Hiroshige. Okazaki, from the series 'Fifty-three Stations [of the Tokaido] (Gojusan tsugi), ' also...1852](/p/731/okazaki-series-fifty-three-stations-of-36221852.jpg.webp "Okazaki, from the series 'Fifty-three Stations [of the Tokaido] (Gojusan tsugi), ' also...1852. Creator: Ando Hiroshige. Okazaki, from the series 'Fifty-three Stations [of the Tokaido] (Gojusan tsugi), ' also...1852")
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Okazaki, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi), " also...1852. Creator: Ando Hiroshige. Okazaki, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi), " also...1852
Okazaki, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi), " also known as the Figure Tokaido (Jinbutsu Tokaido), 1852
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Media ID 36221852
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Chore Chores Chuban Daily Life Domestic Fifty Three Stations Of The Tokaido Figure Tokaido Household Laundress Laundry Laundrywoman Local People Okazaki Aichi Japan Reisho Tokaido Tokaido Trade Route Washerwoman Washing Washtub Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Estuary Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige
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Ando Hiroshige's captivating print, titled "Okazaki" from the renowned series "Fifty-three Stations of the Tokaido" (Gojusan tsugi), created in 1852, offers a glimpse into the daily life of Japan during the Edo period. This chuban-sized color woodblock print, also known as the Figure Tokaido (Jinbutsu Tokaido), showcases a laundress by the Okazaki estuary in Aichi, Japan. The woman, dressed in traditional attire, is seen performing her chores by the river, with a large pile of laundry at her side and a basin filled with water nearby. The serene scene is further enhanced by the presence of a female attendant, who holds a large fan to shield the laundress from the sun. The print's vibrant colors and intricate details bring the geographical feature to life, making it a testament to the artistic school of the time. The estuary, a significant geographical location on the Tokaido Road, is depicted as a picturesque and idyllic setting, reflecting the rich cultural heritage of Japan. This print is a valuable addition to any collection of Asian art and provides a window into the daily life and occupations of the local people during the Edo period.
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