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The Old Town end of the King Charles bridge, Prague, Czech Republic, 1943
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The Old Town end of the King Charles bridge, Prague, Czech Republic, 1943
The Old Town end of the King Charles bridge, Prague, Czech Republic, 1943. The building of the Charles Bridge over the Vltava began in 1357 during the reign of Charles IV, King of Bohemia and Holy Roman Emperor. The bridge is built of stone, 516 metres long, and has 16 arches protected with ice guards. The bridge is flanked by two rows of statues, 15 on each side. A print from Signal, Febuary 1943. Signal was a magazine published by the German Third Reich from 1940 through 1945
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Media ID 14842877
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EDITORS COMMENTS
This print takes us back to the enchanting city of Prague in 1943, showcasing the iconic King Charles Bridge from its Old Town end. The bridge, a true testament to medieval architecture and engineering marvels, was initiated during the reign of Charles IV, who was both the King of Bohemia and Holy Roman Emperor. Constructed with stone and spanning an impressive length of 516 meters, it boasts 16 arches adorned with ice guards. Flanking this magnificent structure are two rows of statues; fifteen on each side. These statues add an air of grandeur and mystique to the already awe-inspiring scene. As we gaze upon this image captured by Signal magazine in February 1943 – a publication associated with Germany's Third Reich during World War II – we can't help but appreciate the timeless beauty that transcends political boundaries. The photograph showcases not only architectural brilliance but also offers a glimpse into history itself. It allows us to witness how Prague's rich heritage has endured through centuries, surviving wars and political changes. This particular print from Heritage Images serves as a reminder that art knows no bounds or affiliations; it is meant to be appreciated for its intrinsic value. As we delve into this snapshot frozen in time, let us immerse ourselves in the splendorous Gothic domes and towers that dominate Prague's skyline. Let us celebrate the enduring spirit of human creativity encapsulated within these ancient walls while acknowledging their historical context without endorsing any commercial use or political agenda associated with them
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