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The Palace, Mandalay, 1900. Creator: Unknown

The Palace, Mandalay, 1900. Creator: Unknown


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The Palace, Mandalay, 1900. Creator: Unknown

The Palace, Mandalay, 1900. The palace was constructed, between 1857 and 1859 as part of King Mindons founding of the new royal capital city of Mandalay. From " Typical Photographs of Burma - Burmese Life and Scenes". [Rowe & Co. Ltd. Rangoon, 1900]

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Media ID 18323184

© The Print Collector/Heritage Images

Burma Burmese Eaves Fence Post Mandalay Mandalay Division Myanmar Myanmarian Post Rowe And Co Rowe And Co Ltd Southeast Asia Typical Typical Photographs Of Burma Mandalay Palace


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> Architecture > Palaces

> Arts > Still life artwork > Still life art > Still life paintings

> Arts > Still life artwork > Still life art

> Arts > Still life artwork

> Arts > Literature > Books

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Realistic drawings > Still life artwork > Still life paintings

> Arts > Street art graffiti > Still life > Still life artwork

> Asia > Myanmar > Mandalay


EDITORS COMMENTS
The Palace, Mandalay, 1900. This print transports us back to the grandeur of Mandalay in the early 20th century. The magnificent palace, its origins dating back to King Mindon's visionary plan for a new royal capital city, stands proudly against the backdrop of Burma's enchanting landscape. The architectural beauty of this building exterior is truly awe-inspiring. Every intricate detail, from the decorative eaves to the monochrome roof tiles, showcases the rich cultural heritage of Myanmar. The fence posts surrounding the palace add an element of elegance and exclusivity to this regal landmark. As we gaze upon this image captured by an unknown creator from Rowe & Co Ltd. , we are reminded of how literature and art have played a significant role in preserving our history. This photograph is a testament to their power in transporting us through time and space. Mandalay Palace remains a popular tourist attraction today, drawing visitors from all over Southeast Asia who seek to immerse themselves in its traditional charm. Its significance as both a historical site and an architectural marvel cannot be overstated. This remarkable print serves as a window into Myanmarian culture during the late 19th century, offering us glimpses into a bygone era that continue to captivate our imagination.

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