A Pancharaksha (The Five Protective Charms) Manuscript (image 1 of 2), 1755. Creator: Unknown

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A Pancharaksha (The Five Protective Charms) Manuscript (image 1 of 2), 1755. Creator: Unknown

A Pancharaksha (The Five Protective Charms) Manuscript (image 1 of 2), 1755

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Media ID 36369843

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Nepal Religious Artefact South And Southeast Asian Art

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> Asia > Nepal > Related Images

> Historic > Ancient artifacts and relics

EDITORS COMMENTS
1. Title: A Pancharaksha Manuscript (Image 1 of 2), 1755 Description: This exquisite 18th-century Pancharaksha Manuscript, hailing from Nepal, is a testament to the rich artistic and religious heritage of South and Southeast Asian art. The manuscript, dated 1755, is a rare example of opaque watercolor and ink on paper and wood, with a wood cover wrapped with thread and colored with ointments. The intricate design and vibrant colors showcase the masterful artistry of the unknown creator. The Pancharaksha, also known as the Five Protective Charms or Pancaraksha, is a popular concept in Buddhism, representing the five protective goddesses: Green Tara, White Tara, Red Tara, Yellow Tara, and Blue Tara. These goddesses are believed to offer protection from the eight worldly fears: poverty, sickness, old age, death, and the fear of being harmed by others. The manuscript is a visual representation of these goddesses, each depicted in their respective colors and postures, surrounded by intricate floral and geometric patterns. The central figure is Green Tara, the principal deity of the group, with the other goddesses arranged around her in a circular composition. The Pancharaksha Manuscript is a significant addition to the South and Southeast Asian art collection at the Los Angeles County Museum of Art (LACMA). It not only showcases the artistic mastery of the creator but also provides valuable insights into the religious beliefs and practices of the region during the 18th century. The manuscript's intricate design and vibrant colors continue to captivate viewers and inspire awe, making it a cherished piece of heritage art and a must-see for anyone interested in the rich artistic and religious history of Nepal and the broader South and Southeast Asian region.

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