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Panel of Ornament with a Birdcage, c.1507. Creator: Nicoletto da Modena
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Panel of Ornament with a Birdcage, c.1507. Creator: Nicoletto da Modena
Panel of Ornament with a Birdcage, c.1507
Heritage Images features heritage image collections
Media ID 36205534
© Heritage Art/Heritage Images
Allegorical Amorini Angels Birdcage Cherubim Da Modena Nicoletto Engraving On Paper Fama Fame Grotesque Grotesques Mythical Beasts Mythical Creatures Mythical Figure Mythological Mythological Creature Mythological Figure Nicoletto Da Modena Ornament Ornamental Warriors Allegorical Figure Angelic Birdcages Cherubs Mythical Beast Mythical Creature Nakedness Putti
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EDITORS COMMENTS
This panel painting, titled "Panel of Ornament with a Birdcage," is a masterpiece created by the renowned Italian artist Nicoletto da Modena around 1507. The work is a testament to the artistic brilliance of the 16th century, showcasing an intricate blend of allegory, mythology, and decorative elements. At the heart of the composition lies a birdcage, adorned with elaborate ornamentation and inhabited by a pair of cherubs, or amorini, playfully interacting with the birds. Above the cage, an angel, symbolizing Fame or Fama, extends her wings, blowing a trumpet to announce the arrival of the beautiful sight to the world. The angelic figure is surrounded by a procession of cherubs and mythical beasts, adding to the fantastical atmosphere of the artwork. The panel's intricate grotesques and decorative motifs are reminiscent of the artistic school prevalent during the Italian Renaissance. The use of black and white, or bw, engraving on paper adds to the antique charm of the piece, making it a valuable addition to any art collection or gallery. This allegorical work invites viewers to ponder the concepts of fame, beauty, and the passage of time. The Panel of Ornament with a Birdcage is a stunning example of the rich cultural heritage and artistic legacy of Italy during the 16th century, and a must-see for anyone with an appreciation for history, art, and mythology.
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