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Party on their way to view plum blossoms, c. 1764. Creator: Torii Kiyomitsu

Party on their way to view plum blossoms, c. 1764. Creator: Torii Kiyomitsu


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Party on their way to view plum blossoms, c. 1764. Creator: Torii Kiyomitsu

Party on their way to view plum blossoms, c. 1764

Heritage Images features heritage image collections

Media ID 24374519

© Heritage Art/Heritage Images

Benizuri E Blossom Day Out Day Trip Fans Hand Held Harness Kamejuro Kiyomitsu Torii Kiyomutso Outing Picnic Plum Blossom Plum Tree Pointing Samurai Sword Spring Torii Kiyomitsu Torii Kiyomitsu I Yoke Blade Colour Woodblock Print Plum Trees


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EDITORS COMMENTS
This vibrant woodblock print by Torii Kiyomitsu captures the essence of a joyous day trip during the Edo period in Japan. Entitled "Party on their way to view plum blossoms, c. 1764" it showcases a group of men, women, and children eagerly venturing into the countryside to witness the beauty of blooming plum trees. The scene is filled with lively colors and intricate details that bring this historical moment to life. Men donning traditional attire carry swords at their sides, reflecting the samurai culture prevalent during this era. The women are elegantly dressed, holding fans in hand as they gesture towards the breathtaking scenery ahead. Amidst an array of plum trees in full bloom, these individuals embark on a peaceful picnic surrounded by nature's splendor. Their excitement is palpable as they point towards various points of interest while carrying baskets and other provisions for their outing. Kiyomitsu's masterful technique shines through every stroke, showcasing his expertise in ukiyo-e printing. This art form was highly popular during the Tokugawa period and often depicted scenes from daily life or famous landscapes. As we gaze upon this image today at the Art Institute of Chicago's Asian Arts collection, we are transported back to 18th-century Japan—a time when people sought solace amidst nature's wonders and celebrated springtime with utmost delight. It serves as a testament to both Kiyomitsu's artistic skill and our universal appreciation for beauty across centuries and

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