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Three People, a Mask, a Fox and a Bird, headpiece for Le sourire, 1899
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Three People, a Mask, a Fox and a Bird, headpiece for Le sourire, 1899
Heritage Images features heritage image collections
Media ID 24366571
© Heritage Art/Heritage Images
Art Movement Eug And Xe8 Eugene Henri Paul Gaugin Eugène Henri Paul Gauguin French Polynesian French Text Gaugin Gauguin Paul Headpiece Le Sourire Lower Case Mask Ne Henri Paul Gauguin Paul Gaugin Paul Gauguin Polynesia Polynesian Portraitprints And Drawings Post Impressionism Post Impressionist Tahiti Tahitian Western Script Letterbox Format
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EDITORS COMMENTS
This print titled "Three People, a Mask, a Fox and a Bird, headpiece for Le sourire, 1899" by Paul Gauguin takes us back to the enchanting world of 19th-century French Polynesia. The image showcases Gauguin's mastery of woodblock printing as he combines intricate details with bold lines. In this mesmerizing composition, three figures stand in the foreground - two women and a man. Their gazes are fixed on an intriguing mask held by one of the women. A fox rests at their feet while a bird perches delicately on top of the mask. These symbolic elements add depth to the narrative, inviting viewers to interpret their meaning within Gauguin's artistic vision. The letterbox format emphasizes the panoramic nature of this scene, transporting us to an exotic location filled with mystery and allure. The lower case French text adds authenticity and cultural context to the artwork. Gauguin's exploration of post-impressionism is evident in his use of bold contrasts between light and dark tones. This technique creates a striking visual impact that draws our attention towards each figure individually while maintaining harmony within the overall composition. As we admire this remarkable piece from Gauguin's heritage art collection, we are reminded once again why he remains one of history's most influential artists. His ability to capture both beauty and intrigue through woodblock printing continues to captivate audiences around the world.
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