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Petroglyph, 1935/1942. Creator: Lala Eve Rivol
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Petroglyph, 1935/1942. Creator: Lala Eve Rivol
Petroglyph, 1935/1942
Heritage Images features heritage image collections
Media ID 36253291
© Heritage Art/Heritage Images
Animal Motif Designs Lala Eve Rivol Lithograph On Paper Motif Motifs New Deal Petroglyph Rivol Lala Eve Rock Art Rock Painting Work Projects Administration Works Progress Administration Multi Coloured Multicoloured
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EDITORS COMMENTS
Petroglyph, 1935/1942" is a captivating lithograph on paper created by the American artist Lala Eve Rivol during the 1930s or 1940s. This vibrant and intriguing artwork showcases a collection of animal motifs, reminiscent of ancient petroglyphs, against a multi-colored background. Rivol's masterful use of color and design brings these animal figures to life, transporting viewers to a world where nature and culture intertwine. The artwork is a testament to the rich heritage and artistic traditions of the American Indian people, reflecting their deep connection to the land and its wildlife. Rivol's work is an important contribution to the Index of American Design, a significant New Deal project initiated by the Works Progress Administration (WPA) and the National Gallery of Art in Washington D.C. to document and preserve American folk art and traditional crafts. Petroglyphs, or rock art, have been an essential part of various indigenous cultures for centuries, serving as a means of recording history, expressing beliefs, and conveying stories. Rivol's interpretation of this ancient art form in her lithograph adds a contemporary and political dimension, highlighting the importance of preserving and celebrating America's diverse cultural heritage. This artwork is a striking example of the artistic output of the 1930s and 1940s, a period marked by economic hardship and social change in the United States. The National Gallery of Art in Washington D.C. houses this valuable piece, which continues to inspire and educate visitors about the country's rich artistic and cultural history.
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