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Picture of Hideyoshi and his Five Wives Viewing Cherry Blossoms at Higashiyama... Japan, c.1803/04. Creator: Kitagawa Utamaro
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Picture of Hideyoshi and his Five Wives Viewing Cherry Blossoms at Higashiyama... Japan, c.1803/04. Creator: Kitagawa Utamaro
Picture of Hideyoshi and his Five Wives Viewing Cherry Blossoms at Higashiyama (Taiko gosai rakuto yukan no zu), Japan, c. 1803/04
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Media ID 36215270
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Admiration Admiring Blossom Cherry Blossom Hideyoshi Toyotomi Kitagawa Utamaro Oban Oban Triptych Parasol Parasols Samurai Toyotomi Hideyoshi Triptych Utamaro Utamaro Kitagawa Warlord Wives Color Woodblock Print
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EDITORS COMMENTS
This woodblock print, titled "Picture of Hideyoshi and his Five Wives Viewing Cherry Blossoms at Higashiyama," is a masterpiece by the renowned Japanese artist Kitagawa Utamaro, created around 1803-04. The artwork is an exquisite example of the Oban triptych format, a popular artistic style during the Edo and Tokugawa periods in Japan. The scene portrays the legendary figure of Toyotomi Hideyoshi, a powerful daimyo (feudal lord) of the late sixteenth century, and his five wives, admiring the beauty of cherry blossoms in the picturesque Higashiyama district of Kyoto. Hideyoshi, dressed in the traditional samurai attire, sits on a mat, his expression reflecting deep admiration for the transient blooms. His wives, elegantly attired in colorful kimonos and parasols, are arranged around him, their faces filled with delight and joy. The intricate details of the clothing, accessories, and parasols are rendered with meticulous precision, showcasing the artistic skill and creativity of Utamaro. The vibrant colors of the kimonos, the green hue of the cherry blossoms, and the serene background create a harmonious balance, making this print a visual feast for the eyes. This artwork is a testament to the rich cultural heritage of Japan and the significance of the cherry blossom as a symbol of the ephemeral nature of life. It is a must-see for anyone interested in Asian art, particularly those focusing on the Edo and Tokugawa periods. This print is currently housed in the Art Institute of Chicago, where it continues to inspire and captivate visitors.
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