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One Hundred Pictures by Kyosai (image 3 of 6), between 1863 and 1866. Creator: Kawanabe Kyosai
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One Hundred Pictures by Kyosai (image 3 of 6), between 1863 and 1866. Creator: Kawanabe Kyosai
One Hundred Pictures by Kyosai (image 3 of 6), between 1863 and 1866
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Media ID 36357335
© Heritage Art/Heritage Images
1860s Chaos Childhood Colour Woodblock Prints Comic Comical Desk Disobedience Disobedient Educator Japanese Era Kawanabe Gyosai Kawanabe Kyosai Kyosai Kawanabe Lenfance Mess Messy Noisy Schoolboy Schoolboys Schoolchild Schoolchildren Teacher Teaching Untidy Illustrated Book
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One Hundred Pictures by Kyosai (image 3 of 6)": A Vibrant and Chaotic Scene of Schoolboys This woodblock print, titled "One Hundred Pictures by Kyosai (image 3 of 6)," is a masterpiece by the renowned Japanese artist Kawanabe Kyosai, created between 1863 and 1866 during the Edo period. The image showcases a lively and chaotic scene of several schoolboys in a messy indoor setting. The boys, dressed in traditional Japanese attire, are seated at a cluttered desk, surrounded by an array of disorganized items. The room is filled with a sense of disobedience and noisy energy, as the boys appear to be engaged in various mischievous activities, such as throwing paper balls and making faces at each other. The scene is further emphasized by the use of bold colors and dynamic brushstrokes, which add to the playful and comical atmosphere. This woodblock print is a testament to the artist's ability to capture the essence of childhood and the chaos that often accompanies it. The image is also a reflection of the daily life during the Tokugawa era, providing a glimpse into the world of education and the experiences of schoolchildren during that time. The print is a valuable addition to the heritage art collection, showcasing the rich cultural history of Japan and its unique artistic traditions. This image is currently housed at the Los Angeles County Museum of Art (LACMA), where it continues to captivate and inspire visitors from around the world. The print is a reminder of the importance of preserving and celebrating the artistic achievements of the past, and the enduring appeal of Kyosai's work as a master of the woodblock print medium.
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