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Pictures of the Year VIII, Esther denouncing Haman to Ahasuerus, 1888. Creator: Ernest Normand
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Pictures of the Year VIII, Esther denouncing Haman to Ahasuerus, 1888. Creator: Ernest Normand
Pictures of the Year VIII, Esther denouncing Haman to Ahasuerus, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888
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Media ID 25321887
© The Print Collector/Heritage Images
Accusation Accused Accusing Ahasuerus Book Of Esther Denouncing Esther Haman Iran Iranian Persia Persian Pictures Of The Year Pointing The Graphic Old Testament
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EDITORS COMMENTS
This photo print, titled "Pictures of the Year VIII, Esther denouncing Haman to Ahasuerus" was created by the talented Ernest Normand in 1888. The image captures a powerful moment from the biblical story of Esther, as she fearlessly accuses Haman before King Ahasuerus in ancient Persia. The composition showcases an intense scene inside a regal interior, where Esther is depicted as a strong-willed woman seated among a group of men. With her finger pointed directly at Haman, who stands accused with his head bowed down, she exudes confidence and determination. The artist skillfully portrays the tension and drama through intricate details such as their facial expressions and body language. Normand's illustration not only reflects his mastery in capturing human emotions but also provides valuable insights into Victorian-era Britain's fascination with religious narratives. This artwork serves as a visual representation of an important event from the Old Testament that holds significant religious meaning for Christianity. As we delve into this historical piece, we are transported back to 19th-century Iran (formerly Persia), where religion played a central role in society. Through this striking portrayal, Normand reminds us of the power dynamics at play during times of war and conflict. This remarkable print offers viewers an opportunity to appreciate both its artistic brilliance and its cultural significance within British history. It serves as a testament to Ernest Normand's talent while inviting contemplation on themes such as faith, courage, justice, and gender
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