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Pipe, from the series Ten Types in the Physiognomic Study of Women... Japan, 1802/03. Creator: Kitagawa Utamaro
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Pipe, from the series Ten Types in the Physiognomic Study of Women... Japan, 1802/03. Creator: Kitagawa Utamaro
Pipe, from the series Ten Types in the Physiognomic Study of Women (Fujin sogaku juttai) (Kiseru), Japan, 1802/03
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Media ID 36221008
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Black Hair Breast Breasts Calligraphy Kitagawa Utamaro Long Hair Long Haired Oban Pipe Semi Dress Semi Naked Utamaro Utamaro Kitagawa Color Woodblock Print
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EDITORS COMMENTS
Pipe" is a captivating woodblock print from the renowned series "Ten Types in the Physiognomic Study of Women" created by the Japanese artist Kitagawa Utamaro in 1802 or 1803. This masterpiece, also known as "Kiseru" in Japanese, showcases a solitary woman in an oban size format, a common size for ukiyo-e prints. Utamaro's artistic brilliance is evident in the intricate details of the woman's long, black hair cascading down her back, adorned with delicate white accessories. Her clothing, a traditional kimono, is semi-dress, revealing her naked shoulders and breasts, while she turns her head away, looking off to the side, adding an enigmatic allure to her portrait. The woman holds a pipe in her hand, her fingers delicately curled around it, as if taking a puff. The pipe, a common accessory during the Edo and Tokugawa periods in Japan, adds an element of sophistication and relaxation to the image. The print's background is simple, with calligraphic elements and geometric patterns, drawing the viewer's focus to the woman and her expressive physiognomy. This stunning woodblock print is a testament to Utamaro's skill in capturing the essence of femininity and the human form. It is a valuable addition to any collection of Asian art, showcasing the rich cultural heritage of Japan during the 19th century. The print's semi-nudity and intricate details make it a standout piece in the artistic school of ukiyo-e, a genre that flourished during the Edo period and continues to captivate audiences today. This woodblock print is currently housed in the Art Institute of Chicago, where it is admired by visitors from around the world. It is a reminder of the enduring beauty and significance of Japanese art and the legacy of Kitagawa Utamaro.
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