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Place de la Bastille, 1850. Creator: Honore Daumier
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Place de la Bastille, 1850. Creator: Honore Daumier
Place de la Bastille, 1850. Achetez-moi donc une couronne, citoyen!'. Street-seller to top-hatted man: Buy a crown from me, Citizen!'. From Actualites
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Media ID 36354452
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Basket Class Daumier Honore Daumier Honore Victorin Funny H Daumier Honore Daumier Honore Victorin Daumier Ironic Irony Lithographic Monarchism Monarchist Offering Parisian Place De La Bastille Republic Republican Social Class Square Street Seller Street Trader Street Vendor Top Hat Tophat Wares Lithotint Parody Satirical
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EDITORS COMMENTS
Honore Daumier's lithograph "Place de la Bastille, 1850" captures the vibrant energy and dynamic interplay of social classes in Paris during the 19th century. In the heart of the city, a street-seller, dressed in tattered clothing, implores a top-hatted man with an air of superiority, "Buy a crown from me, Citizen!" The scene is set against the backdrop of Place de la Bastille, a symbolic location of the French Revolution and its ideals of liberty, equality, and fraternity. Daumier's use of satire and irony is evident in the contrast between the street-seller's humble offering and the man's dismissive demeanor, highlighting the stark divide between the rich and the poor. The artist masterfully employs the medium of lithography to capture the intricacies of the scene, from the textures of the clothing to the expressions on the faces of the characters. The image is a poignant commentary on the political climate of the time, with monarchist and republican sentiments clashing in the streets. The street-seller's offering of a crown symbolizes the monarchist ideology, while the man's rejection represents the growing support for the republican movement. This lithograph is a testament to Daumier's keen observation of society and his ability to capture the nuances of human behavior and the complexities of political and social issues. It is a valuable addition to the collection of any art lover or historian, offering a glimpse into the past and a reminder of the enduring relevance of social commentary in art.
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