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Plate 39: Eight Spiders, c. 1575/1580. Creator: Joris Hoefnagel
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Plate 39: Eight Spiders, c. 1575/1580. Creator: Joris Hoefnagel
Plate 39: Eight Spiders, c. 1575/1580
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Media ID 36222013
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Georg Houfnagel George Hoefnagel Hoefnagel George Hoefnagel Joris Houfnagel Georg Insect Insects Joris Hoefnagel Natural History Spider Spiders
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Plate 39: Eight Spiders, c. 1575/1580, is a stunning and intricately detailed watercolor and gouache illustration on vellum by the renowned Flemish artist Joris Hoefnagel. This exquisite artwork, which is believed to have been created between 1575 and 1580, showcases eight different species of spiders, each displayed against a plain background to highlight their unique features. Hoefnagel, also known as Georg Houfnagel, was a prominent artist and naturalist of the Sixteenth Century, renowned for his meticulous and accurate illustrations of plants, animals, and insects. This artwork, with its vibrant colors and intricate details, is a testament to Hoefnagel's exceptional skill and dedication to natural history. The illustration is framed by an elegant oval border in gold, adding to its overall beauty and grandeur. The spiders, which range from the common house spider to the more exotic species, are depicted in their natural forms, with their legs spread out and their intricate web patterns in full display. Plate 39: Eight Spiders is a valuable addition to any art collection, particularly those with a focus on natural history or the art of the Sixteenth Century. It is currently housed in the National Gallery of Art in Washington D.C., where it continues to captivate visitors with its intricate details and stunning visual appeal. This artwork is a reminder of the rich artistic and scientific heritage of Europe during the Sixteenth Century, a time when exploration and discovery were at the forefront of human endeavor. It is a testament to Hoefnagel's unwavering commitment to documenting the natural world and his ability to capture the essence of each subject with remarkable accuracy and artistry.
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