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Plate 4: Recruiting, from World in Miniature, 1816. 1816

Plate 4: Recruiting, from World in Miniature, 1816. 1816


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Plate 4: Recruiting, from World in Miniature, 1816. 1816

Plate 4: Recruiting, from " World in Miniature", 1816

Heritage Images features heritage image collections

Media ID 19984880

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Camp Flirting Funny Gipsies Gipsy Gypsies Gypsy Public House R Ackermann Romance Romancing Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Tavern Thomas Rowlandson World In Miniature Hand Tinted


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Sights > British Museum

> Historic > World War I and II > Soldiers

> Humour > Postcard

> Humour > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Recruitment


EDITORS COMMENTS
In this humorous and lively print titled "Plate 4: Recruiting, from World in Miniature, 1816". Thomas Rowlandson captures a scene of bustling activity in early 19th century Britain. The hand-colored image showcases the artist's satirical style as he playfully explores themes of romance and military recruitment. Set against a coastal backdrop, the illustration depicts a group of men and women gathered outside a traditional British pub or public house. The vibrant colors bring to life the various characters who populate the scene - soldiers, gypsies, and locals alike. Rowlandson's attention to detail is evident in his portrayal of their expressions and interactions. Amidst the jovial atmosphere, one cannot help but notice an amusing interaction between a male soldier and a flirtatious female companion. Their playful exchange adds an element of light-heartedness to the overall composition. It serves as a reminder that even during times of war or conflict, human connections can still be found. This print is part of Rudolph Ackermann's "World in Miniature" series published in 1816. Its inclusion within The Metropolitan Museum of Art's collection speaks to its historical significance as well as its artistic merit. As viewers engage with this delightful piece by Thomas Rowlandson, they are transported back to an era where humor was used to reflect societal norms and provide commentary on everyday life.

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