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Portrait of Ferdinand de Boisschot, Baronet of Saventhem (1571-1649), as Knight of the Order of Sant Creator: Dyck, Sir Anthony van (1599-1641)

Portrait of Ferdinand de Boisschot, Baronet of Saventhem (1571-1649), as Knight of the Order of Sant Creator: Dyck, Sir Anthony van (1599-1641)


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Portrait of Ferdinand de Boisschot, Baronet of Saventhem (1571-1649), as Knight of the Order of Sant Creator: Dyck, Sir Anthony van (1599-1641)

Portrait of Ferdinand de Boisschot, Baronet of Saventhem (1571-1649), as Knight of the Order of Santiago. Private Collection

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Media ID 36330128

© Fine Art Images/Heritage Images

Dyck Sir Anthony Van 1599 1641 Order Of Santiago


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> Arts > Art Movements > Baroque

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> Arts > Still life artwork > Oil paintings > Portrait paintings


EDITORS COMMENTS
This stunning portrait captures Ferdinand de Boisschot, Baronet of Saventhem (1571-1649), in his regal attire as a Knight of the Order of Santiago. Painted by the renowned Flemish artist Sir Anthony van Dyck (1599-1641), the portrait showcases the grandeur and elegance of the Baroque period in Flanders. Ferdinand de Boisschot wears the distinctive insignia of the Order of Santiago, a red cross on a white background, proudly displayed on his chest. The intricate details of the Knight's costume, from the rich fabric to the meticulously painted embroidery, are a testament to van Dyck's exceptional skill as a painter. The portrait exudes an air of authority and sophistication, with Ferdinand's piercing gaze and confident posture conveying a sense of power and dignity. The use of light and shadow adds depth and texture to the painting, creating a three-dimensional effect that brings the subject to life. The portrait was likely commissioned to celebrate Ferdinand's knighthood in the Order of Santiago, a prestigious military and chivalric order founded in 1170 by King Alfonso II of Aragon. The Order was renowned for its commitment to the defense of Christendom and the protection of pilgrims traveling to the Holy Land. This exquisite oil on canvas painting is a fine example of van Dyck's mastery of portraiture and his ability to capture the essence of his subjects. It is a valuable addition to the rich artistic heritage of Flanders and a testament to the enduring appeal of Baroque art.

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