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Portrait of John Plampin by Thomas Gainsborough, 1752-1755, (1936). Creator: Thomas Gainsborough
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Portrait of John Plampin by Thomas Gainsborough, 1752-1755, (1936). Creator: Thomas Gainsborough
Portrait of John Plampin, 1752-1755, (1936). John Plampin (1727- 1805) inherited Shimpling and Chadacre Hall, near Lavenham, Suffolk in 1757 the vast acres of land showcase his fortune. By Thomas Gainsborough (1727-1788). Oil on canvas. From " The Studio Volume III" [London Offices of the Studio, London, 1936.]
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Media ID 19047285
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Branches Breeches Britches Confidence Confident Estate Feet Up Gainsborough Inheritance Landowner Owner Ownership Privilege Relaxation Relaxing Rococo Era Social Class Studio Publications Studio Volume Iii Suffolk The Studio Ltd The Studio Publications Thomas Gainsborough Upper Class Lavenham Nonchalant Posture
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EDITORS COMMENTS
This portrait print, titled "Portrait of John Plampin" by Thomas Gainsborough, transports us back to the elegance and opulence of 18th-century Britain. Painted between 1752-1755, this oil on canvas masterpiece showcases the confident and nonchalant posture of John Plampin (1727-1805), a man who inherited vast acres of land in Suffolk. Plampin's direct gaze exudes confidence and privilege as he sits leisurely with his feet up, accompanied by his loyal canine companion. The lush countryside setting with its majestic trees and vibrant plants reflects both Plampin's ownership of the estate and his connection with nature. Gainsborough's skillful brushwork captures every intricate detail, from the fine textures of Plampin's clothing - breeches, jacket, hat - to the subtle play of light on his face. This portrait epitomizes the rococo era with its emphasis on leisure and social class. Published in "The Studio Volume III" in 1936 by Studio Publications Ltd. , this print allows us to appreciate Gainsborough's artistry even decades later. It serves as a window into a time when wealth was displayed through landownership and extravagant lifestyles. As we admire this remarkable piece, we are reminded not only of John Plampin himself but also of an entire era that valued beauty, privilege, and harmony with nature.
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