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Portrait of Joost de Zoete (?-1589), Lord of Villers, c.1609-c.1633. Creator: Workshop of Jan Antonisz van Ravesteyn
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Portrait of Joost de Zoete (?-1589), Lord of Villers, c.1609-c.1633. Creator: Workshop of Jan Antonisz van Ravesteyn
Portrait of Joost de Zoete (?-1589), Lord of Villers, c.1609-c.1633
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Media ID 36322295
© Heritage Art/Heritage Images
Beige Commander Field Marshal Jan Anthonisz Van Ravesteyn Jan Antonisz Van Ravesteyn Jan Antonisz Van Ravesteyn Workshop Of Jan Van Ravesteyn Lord Lordship Mustache Nobility Nobleman Ravesteyn Jan Anthonisz Van Ravesteyn Jan Antonisz Van Ravesteyn Jan Antonisz Van Workshop Of Van Ravesteyn Jan Anthonisz Workshop Of Jan Antonisz Van Ravesteyn Aristocrat Titled
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EDITORS COMMENTS
This portrait depicts Joost de Zoete (?-1589), Lord of Villers, a prominent figure in the Dutch aristocracy during the Baroque era. The painting, created between 1609 and 1633 in the workshop of Jan Antonisz van Ravesteyn, showcases the commanding presence and military prowess of the nobleman. Dressed in ornate armor, Joost gazes directly at the viewer with a confident and determined expression, his moustache and facial hair adding to his distinguished appearance. The beige background, typical of the Baroque era, allows the intricate details of the armor and the sitter's features to stand out. The painting, an oil on panel, is a testament to the skill and artistry of the Jan Antonisz van Ravesteyn workshop. The lettering at the bottom of the image, in Dutch, identifies the subject as "Joost de Soete, Heer van Villers" (Joost de Soete, Lord of Villers). Joost de Zoete was a field marshal in the Dutch military and held a significant position in the Low Countries' nobility. His portrait, now housed in the Rijksmuseum in Amsterdam, is a valuable piece of heritage art that offers a glimpse into the history and culture of the Dutch aristocracy during the seventeenth century. The direct gaze of the sitter invites the viewer to connect with the past and appreciate the rich heritage of this historic figure.
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