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Portrait de Marie-Dominique Sibour (1792-1857), archevêque de Paris de 1848 à 1857, 1856. Creator: Thomas Couture

Portrait de Marie-Dominique Sibour (1792-1857), archevêque de Paris de 1848 à 1857, 1856. Creator: Thomas Couture


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Portrait de Marie-Dominique Sibour (1792-1857), archevêque de Paris de 1848 à 1857, 1856. Creator: Thomas Couture

Portrait de Marie-Dominique Sibour (1792-1857), archeveque de Paris de 1848 a 1857, 1856

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Media ID 36240281

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Archbishop Benediction Bishop Blessing Canvasmaterial Carnavalet Museum Couture Thomas Mitre Parisian Thomas Couture Vestment Vestments Archbishop Of Paris Musee Carnavalet Paris Museums Roman Catholicism


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> Arts > Artists > C > Thomas Couture

> Arts > Artists > R > Roman Roman

> Arts > Still life artwork > Oil paintings > Portrait paintings

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> Europe > France > Paris > Fashion

> Europe > France > Paris > Museums > Musee Carnavalet


EDITORS COMMENTS
This portrait depicts Marie-Dominique Sibour (1792-1857), who served as the Archbishop of Paris from 1848 to 1857. The painting, created by renowned French artist Thomas Couture in 1856, captures the dignified and pious demeanor of Sibour as he delivers a benediction. The archbishop is dressed in the traditional vestments of the Roman Catholic Church, including a mitre adorned with crosses and a richly colored robe. The intricate details of the clothing, from the folds of the fabric to the textures of the hat, are masterfully rendered in oil on canvas. The portrait hangs in the Musée de Carnavalet in Paris, one of the city's oldest museums, which showcases the history of Paris and its people. Sibour's portrait is a testament to the enduring influence of Catholicism and Christianity in French culture and heritage. The painting's muted color palette and the solemn expression on the archbishop's face add to the sense of reverence and tradition. The portrait is a powerful reminder of the role of religious leaders in shaping the history and identity of Paris and France. Marie Dominique Sibour was a prominent figure in French society during the mid-19th century, and his portrait by Thomas Couture is a significant addition to the city's artistic and historical legacy. The painting invites viewers to reflect on the intersection of religion, fashion, and culture in French history and to appreciate the beauty and craftsmanship of this exceptional work of art.

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