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Portrait of Stan Kenton and Eddie Safranski, 1947 or 1948. Creator: William Paul Gottlieb
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Portrait of Stan Kenton and Eddie Safranski, 1947 or 1948. Creator: William Paul Gottlieb
Portrait of Stan Kenton and Eddie Safranski, 1947 or 1948
Heritage Images features heritage image collections
Media ID 36266419
© Heritage Art/Heritage Images
Bass Player Bill Gottlieb Colour Photography Composer Double Bass Double Bass Player Double Bassist Eddie Safranski Golden Age Of Jazz Gottlieb William P Gottlieb William Paul Jazz Age Kenton Stan Partnership Pianist Piano Piano Player Rehearsal Rehearsing Safranski Eddie Stan Kenton Stanley Newcomb Kenton Stringed Instrument William P Gottlieb William Paul Gottlieb Youth Culture Jazz Musician Playing An Instrument
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EDITORS COMMENTS
This photograph, titled "Portrait of Stan Kenton and Eddie Safranski," was captured by renowned American photographer William Paul Gottlieb in either 1947 or 1948. The image is a testament to the golden age of jazz in the United States during the 1940s. Stanley Newcomb Kenton, a visionary composer and bandleader, is seen here in deep concentration as he conducts a rehearsal. His intense gaze is focused on the piano, where his fingers dance effortlessly over the keys. In the foreground, Eddie Safranski, a skilled double bass player, smiles at the camera, his double bass resting comfortably between his legs. The photograph, which is part of the vast collection at the Library of Congress, is a beautiful example of color transparency film, a technique that was gaining popularity during the forties. The image's clarity and detail bring the scene to life, transporting us back to a time when jazz was the heartbeat of American culture. The partnership between Kenton and Safranski was a crucial component of the Kenton band's success during this era. Their shared love for music and their ability to collaborate seamlessly is evident in this photograph. The image captures a moment of creativity and camaraderie, a glimpse into the lives of two men who were instrumental in shaping the jazz landscape of the United States during the 1940s.
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