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Preliminary Design for Monument to John Gay the Poet, c. 1736. Creators: John Michael Rysbrack, Richard Wilson

Preliminary Design for Monument to John Gay the Poet, c. 1736. Creators: John Michael Rysbrack, Richard Wilson


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Preliminary Design for Monument to John Gay the Poet, c. 1736. Creators: John Michael Rysbrack, Richard Wilson

Preliminary Design for Monument to John Gay the Poet, c. 1736

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Media ID 36196814

© Heritage Art/Heritage Images

Amorini Cherubim Classical Classicism Dramatist Gay John Jean Michel Rysbrack Johannes Michel Rysbrack John Gay John Michael Rysbrack Michael Rysbrack Playwright Richard Wilson Rysbrack Jean Michel Rysbrack Johannes Michel Rysbrack John Michael Rysbrack Michael Studies Wash Wilson Richard Angelic Cherubs Laid Paper Pen And Ink Drawing Putti


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Brush Mouse

> Architecture > Drawings

> Architecture > Related Images

> Architecture > Styles > Baroque Architecture

> Architecture > Styles > Classical Architecture

> Arts > Art Movements > Baroque

> Arts > Artists > B > John Brown

> Arts > Artists > H > Guy Head

> Arts > Artists > M > Jean Michel

> Arts > Artists > W > Richard Wilson


EDITORS COMMENTS
This preliminary design, created by the renowned artists John Michael Rysbrack and Richard Wilson in the mid-18th century, presents an intriguing glimpse into the planning stages of a monument dedicated to the celebrated English poet, John Gay. The design, held in the esteemed Art Institute of Chicago, showcases the artists' mastery of Baroque aesthetics and classical motifs. The drawing, executed in pen and brown ink with brush and brown wash over graphite on cream laid paper tipped onto ivory laid paper, depicts the monument's central figure, John Gay, depicted in head and shoulders format. He is shown as a thoughtful and introspective man, clad in the attire of the time. Surrounding him are amorini, or cherubs, playfully frolicking among the intricately designed architectural elements. The use of monochrome color and the delicate application of graphite and ink create an ethereal and antique atmosphere, fitting for a monument to a man of letters. Rysbrack, a Flemish artist, was known for his intricate and detailed depictions of classical subjects, while Wilson, an English artist, was celebrated for his landscapes and architectural designs. The collaboration between these two artists resulted in a design that seamlessly blends the dramatic and the classical, the natural and the man-made. The preliminary design for the monument to John Gay is a testament to the rich cultural heritage of the 18th century and the enduring influence of classical art on European art and literature. Today, it stands as a valuable addition to the collections of the Art Institute of Chicago, inviting visitors to explore the history and significance of this important period in Western art and literature.

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