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Premières impressions - Stupéfaction, compression et suffocation, 19th century. Creator: Honore Daumier
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Premières impressions - Stupéfaction, compression et suffocation, 19th century. Creator: Honore Daumier
Premieres impressions - Stupefaction, compression et suffocation, 19th century. The Universal Exposition. First impressions - Stupefaction, compression and suffocation
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Media ID 36293706
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Crowds Crushed Cultural Event Daumier Honore Daumier Honore Victorin Exhausted Exhaustion Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Queue Queuing Lithotint Parody Satirical Suffocating Suffocation Universal Exposition
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EDITORS COMMENTS
Premières impressions - Stupéfaction, compression et suffocation" (First Impressions - Stupefaction, Compression and Suffocation) is a powerful and thought-provoking lithograph by the renowned French artist Honore Daumier, created in the 19th century. This image, now held in the collections of the National Gallery of Art in Washington D.C., offers a satirical commentary on the experience of attending a major cultural event, such as the Universal Exposition. Daumier masterfully captures the chaos and overwhelming sensory experience of being in a crowded tourist attraction. The composition is filled with a sea of people, pressed together like sardines, their faces contorted in various expressions of exhaustion, stupefaction, and even amusement. The title of the work itself hints at the suffocating feeling of being trapped in the crowd, unable to move or breathe freely. The artist's use of caricature and parody adds an element of humor to the scene, making it both relatable and entertaining. The exaggerated features of the figures, particularly the men, add to the overall sense of absurdity and exaggeration. The women, too, are not spared, with some shown looking tired and overwhelmed, while others appear to be enjoying the experience. Despite the humor, there is a deeper message in this work. Daumier's "First Impressions" serves as a commentary on the human condition, highlighting the universal experiences of being part of a crowd and the feelings of both excitement and exhaustion that come with it. The image remains a testament to the power of art to capture and reflect the complexities of human emotion and experience. This historic lithograph is a must-see for anyone interested in the history of art, satire, or the human condition. Its enduring appeal and relevance continue to resonate with audiences today, making it a valuable addition to any art center or gallery collection.
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