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Printed Book of Hours (Use of Rome), 1510. Creator: Guillaume Le Rouge (French, Paris

Printed Book of Hours (Use of Rome), 1510. Creator: Guillaume Le Rouge (French, Paris


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Printed Book of Hours (Use of Rome), 1510. Creator: Guillaume Le Rouge (French, Paris

Printed Book of Hours (Use of Rome), 1510. Illustrated prayer books called books of hours remained popular with Europes elite well into the era of printing technology. This example belongs to a printed edition of five by the Parisian printer and engraver Guillaume Le Rouge, dating to 1510. Though printed on vellum (not paper), its 62 engraved pictures were hand-coloured by an illuminator much like a traditional manuscript. By the mid-1480s, Paris was the center of production for books of hours with printed texts and engraved ornament. This book is therefore a hybrid fusing two distinct production methods--illumination and printing--representing the waning phase of the illuminators art prior to the complete transformation to printed books

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Media ID 19642121

© Heritage Art/Heritage Images

112 Printed Folios On Parchment Active 1493 1517 Bound Bound Volume Guillaume Le Rouge Guillaume Le Rouge French


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> Arts > Pop art

> Europe > France > Paris > Related Images

> Europe > Italy > Lazio > Rome

> Europe > United Kingdom > England > Cleveland


EDITORS COMMENTS
This print showcases a Printed Book of Hours (Use of Rome) from 1510, created by the talented French artist Guillaume Le Rouge. Books of hours were highly sought-after prayer books among Europe's elite during the era when printing technology was emerging. This particular edition is one of five printed by Le Rouge in Paris and features 62 hand-colored engraved pictures on vellum, resembling traditional illuminated manuscripts. During the late 15th century, Paris became a prominent hub for producing books of hours with printed texts and engraved ornamentation. This book represents a unique hybrid form that combines two distinct production methods: illumination and printing. It stands as a testament to the transitional phase between these two art forms before fully embracing printed books. The intricate details and exquisite craftsmanship displayed in this book exemplify the fading glory of illuminators' artistry prior to its complete transformation into printed works. With its 112 printed folios bound together, this volume holds historical significance as it provides insight into religious practices during the 16th century in France. Preserved at The Cleveland Museum of Art, this remarkable piece has been captured beautifully through Heritage Art's lens. Through this photo print, viewers can appreciate both the artistic mastery behind its creation and gain an understanding of how technological advancements shaped the evolution of book production during this period.

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