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Proscenium and Stage Boxes in the Komodie Theatre, Berlin, c1926

Proscenium and Stage Boxes in the Komodie Theatre, Berlin, c1926


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Proscenium and Stage Boxes in the Komodie Theatre, Berlin, c1926

Proscenium and Stage Boxes in the Komodie Theatre, Berlin, c1926. The Komodie Theatre was designed by Oskar Kaufmann (1873-1956). From The Studio Volume 92. [London Offices of the Studio, London, 1926]

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Media ID 14966940

© The Print Collector

Berlin Kaufmann Oskar Proscenium Seating Studio Publications Studio Volume 92 Theatre Box


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> Architecture > Country > Germany

> Architecture > Related Images

> Architecture > Styles > Berlin Architecture

> Architecture > Theatres

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Germany > Berlin

> Europe > Germany > Posters

> Europe > United Kingdom > England > London > Art > Theatre


EDITORS COMMENTS
This print captures the exquisite proscenium and stage boxes in the Komodie Theatre, Berlin, circa 1926. Designed by the renowned architect Oskar Kaufmann, this architectural marvel showcases his impeccable craftsmanship and attention to detail. The grandeur of the theatre's interior is evident as we gaze upon rows of meticulously arranged seating that lead our eyes towards the magnificent proscenium arch. The intricate design elements on the arch exude elegance and sophistication, transporting us back to a time when theatres were revered as cultural landmarks. The stage boxes, positioned on either side of the proscenium, add an air of exclusivity to this already enchanting space. These private enclosures allowed privileged guests to enjoy performances from a unique vantage point while immersing themselves in luxury. As we delve into this monochrome masterpiece, it becomes apparent that every aspect has been carefully curated to create an atmosphere befitting theatrical excellence. The lighting casts dramatic shadows across the room, enhancing its allure and setting the stage for unforgettable performances. Published in Studio Volume 92 by London Offices of The Studio in 1926, this print serves as a testament not only to Kaufmann's genius but also to an era where architecture seamlessly blended with artistry. It stands as a reminder of how spaces can transcend their functional purpose and become works of art themselves.

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