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Prospetto della Chiesa di S. Simeone Appostolo, 1742. Creator: Joseph Wagner
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Prospetto della Chiesa di S. Simeone Appostolo, 1742. Creator: Joseph Wagner
Prospetto della Chiesa di S. Simeone Appostolo, 1742
Heritage Images features heritage image collections
Media ID 21235680
© Heritage Art/Heritage Images
Alter Antonio Canaletto Canal Canal Giovanni Antonio Canaletto Canaletto Antonio Canaletto Giovanni Antonio Dome Domed Engraving And Etching On Laid Paper Fa And Xe7 Giovanni Antonio Canal Giovanni Antonio Canaletto Grand Canal Joseph Wagner Neo Classical Neo Classicism Neoclassical Rococo Era Santa Croce Veduta Venetian Venice Venice Italy Wagner Joseph San Simeone Piccolo
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EDITORS COMMENTS
This print titled "Prospetto della Chiesa di S. Simeone Appostolo, 1742" takes us back to the enchanting streets of 18th-century Italy. Created by Joseph Wagner, this exquisite engraving showcases the architectural masterpiece that is the Church of San Simeone Apostolo. The image transports us to a time when neo-classical and rococo influences dominated the artistic scene. The grandeur of this domed church exterior is truly awe-inspiring, with its intricate facade and imposing presence against the backdrop of a serene canal. It perfectly captures the essence of Italian heritage art. As we delve into this mesmerizing scene, our eyes are drawn not only to the magnificent building but also to the figures in the background. A lone man stands on a bridge overlooking the canal, adding a sense of scale and human presence amidst this architectural marvel. Wagner's masterful use of black and white enhances both texture and contrast in this engraving, allowing every detail to shine through. The etching technique employed on laid paper adds depth and dimensionality to each stroke. Displayed at the National Gallery of Art in Washington, D. C. , this artwork invites viewers to immerse themselves in an era where religion played a central role in society. It serves as a testament to Giovanni Antonio Canaletto's genius as an artist who captured not just landscapes but also emotions evoked by these sacred spaces.
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