Publishing the Banns in the West Indies "For the First Time of Asking", 1891. Creator: C Haldane McFall. Publishing the Banns in the West Indies "For the First Time of Asking", 1891. Creator: C Haldane McFall
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Publishing the Banns in the West Indies "For the First Time of Asking", 1891. Creator: C Haldane McFall. Publishing the Banns in the West Indies "For the First Time of Asking", 1891. Creator: C Haldane McFall
Publishing the Banns in the West Indies "For the First Time of Asking", 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891
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Media ID 36241044
© The Print Collector/Heritage Images
Afro Caribbean Caribbean Fiance Fiancee Indies Interiors Pews Publishing Seating Waiting West Indian West Indies Banns British Empire
Publishing the Banns in the West Indies 'For the First Time of Asking,' 1891
EDITORS COMMENTS
is a captivating engraving by Scottish artist C Haldane McFall, published in "The Graphic: An Illustrated Weekly Newspaper" between July and December of 1891. This evocative image offers a glimpse into the cultural fusion of the British Empire in the Caribbean during the Victorian era. The scene unfolds inside a quaint West Indian church, where a couple eagerly awaits the conclusion of the banns reading ceremony. The bride-to-be, a fair-skinned woman with an air of anticipation, sits demurely in a pew, her hands folded in her lap. Her dark-skinned fiancé, dressed in formal attire, stands attentively beside her, his gaze fixed on the minister as he reads the banns from the pulpit. The pews are filled with a diverse congregation, reflecting the multicultural fabric of the region. Black and white men and women sit together, their expressions a mix of curiosity, interest, and respect. The interior of the church is simple yet elegant, with pews arranged neatly, a pulpit at the front, and stained glass windows casting dappled light onto the scene. The act of publishing the banns was an essential part of the marriage process in the British Empire, signifying the intention of the couple to marry and giving the community an opportunity to raise any objections. This poignant moment, captured by McFall's skilled hand, encapsulates the spirit of unity and tradition that transcended racial and cultural boundaries in the West Indies during the nineteenth century. The intricate detail and composition of this print make it a valuable addition to any collection focusing on the history of the British Empire, Christianity, and the Caribbean. McFall's mastery of the medium is evident in the subtle nuances of expression and body language, making this image a compelling visual narrative of the past.
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