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The Resurrection, c1532, (1943). Creator: Michelangelo Buonarroti

The Resurrection, c1532, (1943). Creator: Michelangelo Buonarroti


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The Resurrection, c1532, (1943). Creator: Michelangelo Buonarroti

The Resurrection, c1532, (1943). Christ rising from the dead after his crucifixion. Drawing in the Royal Collection, Windsor Castle. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart. [Atlantis-Verlag Berlin, Zurich, 1943]

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Media ID 19066344

© The Print Collector/Heritage Images

Afterlife Bernhard Bernhard Degenhart Buonarroti Degenhart Europaische Handzeichnungen Michelangelo Michelangelo Buonarroti Michelangelo Di Lodovico Buonarroti Our Saviour Resurrection Simoni Mausoleum Nakedness


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EDITORS COMMENTS
This print showcases "The Resurrection" by Michelangelo Buonarroti, a masterpiece that depicts Christ rising from the dead after his crucifixion. Created in 1532 but printed in 1943, this drawing is part of the Royal Collection housed at Windsor Castle. The image captures the profound concept of life after death and the triumph over mortality. Michelangelo's skillful use of chalk brings depth and realism to this monochrome artwork. The nakedness of Christ symbolizes purity and vulnerability while emphasizing his humanity. As we gaze upon this powerful depiction, we are reminded of our Savior's sacrifice for mankind. Bernhard Degenhart's book, "Europaische Handzeichnungen" features this extraordinary drawing among other European artworks spanning five centuries. Published during the forties, it serves as a testament to art's enduring significance even amidst tumultuous times. Intriguingly merging two different eras - the sixteenth century when Michelangelo created his masterpiece and the twentieth century when it was reproduced - this print preserves both historical periods within its frame. "The Resurrection" invites viewers to contemplate life's transience and embrace hope beyond death. It stands as a testament to Michelangelo's genius and continues to inspire awe in all who behold it today.

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