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The Resurrection (Triptych, central panel), 1560. Creator: Robionoy, Jean de (active Mid of the 16th cen.)
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The Resurrection (Triptych, central panel), 1560. Creator: Robionoy, Jean de (active Mid of the 16th cen.)
The Resurrection (Triptych, central panel), 1560. Found in the collection of the Musee des Beaux-Arts, Verviers
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Apostle Apostles History Ascension Of Christ Belief Christian Festival Christs Appearance Devoted Disciple Of Jesus Christ Early Netherlandish Art Easter Eastern Orthodoxy Faith Renaissance Feast Glorious Mystery Heaven Holy Women Jesus Of Nazareth Loyalty Magdalen Magdalene Mary Magdalen Mary Magdalene Mary Of Magdala Musee Des Beaux Arts Myrrhbearers Myrrhbearing Women Resurrection Resurrection Of Christ Salvation The Three Marys Three Holy Women Three Maries Three Marys Thursday Verviers White Angel
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The Resurrection (Triptych, Central Panel), 1560: A Devoted Disciples' Witness to the Glorious Mystery of Christ's Resurrection This exquisite painting, created by the Early Netherlandish artist Jean de Robionoy around 1560, depicts the central panel of a triptych now housed in the Musee des Beaux-Arts in Verviers, Belgium. The scene portrays the Resurrection of Christ as described in the New Testament, with the angel rolling away the stone from the tomb and Christ emerging in His glorious appearance. Surrounding Christ are the three Marys – Mary Magdalene, Mary of Cleophas, and Mary Salome – who are traditionally known as the myrrhbearers or the Three Holy Women. They are depicted with various expressions of awe, disbelief, and joy as they witness the miraculous event. Mary Magdalene, identified by her distinctive hairstyle and the alabaster jar of myrrh she clutches, is at the forefront, her eyes filled with tears of emotion and faith. The angel, with wings spread wide, symbolizes the divine intervention and the promise of salvation. The devoted disciples of Jesus Christ, represented by the three Marys, are essential witnesses to this glorious mystery, their unwavering faith and loyalty to Christ reinforced by their presence at the scene of the Resurrection. This painting, executed in oil on wood, is a testament to the artistic mastery of Jean de Robionoy during the Renaissance period. It captures the essence of the Easter festival, a Christian celebration of the belief in the resurrection of Jesus Christ, and the hope for eternal life. The image evokes a sense of reverence and wonder, reminding us of the profound impact of the Resurrection on the early Christian community and its enduring significance in Eastern Orthodoxy and other Christian traditions.
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