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On the Road to Santa Fe, 1884. Creator: Peter Moran
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On the Road to Santa Fe, 1884. Creator: Peter Moran
On the Road to Santa Fe, 1884
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Media ID 36269313
© Heritage Art/Heritage Images
1800s 1884 Donkey Donkeys Drinking Etching In Black Moran Peter Mule Mules Pack Animal Pack Animals Pack Mule Peter Moran Waterhole Watering Hole
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EDITORS COMMENTS
On the Road to Santa Fe, 1884" is a captivating etching in black and white by the renowned 19th century American artist, Peter Moran. This masterpiece, created in 1884, transports us back in time to the American Southwest during the late 1800s. The scene depicts a watering hole, a vital source of life-giving water for travelers and their pack animals on the long journey to Santa Fe, New Mexico. Moran's meticulous attention to detail is evident in the way he has captured the essence of the arid landscape, with its rugged terrain, towering cacti, and the stark contrast between the parched earth and the clear, refreshing water. The focus of the image, however, is on the donkeys and mules, huddled around the waterhole, quenching their thirst. Their weary expressions and relaxed postures convey the exhaustion and relief that comes with a long day's travel in the unforgiving desert. This evocative artwork is a testament to the resilience and determination of the early settlers and travelers who braved the harsh conditions of the American Southwest. Moran's depiction of this scene is not only a historical record but also a beautiful work of art that continues to captivate viewers with its timeless appeal. "On the Road to Santa Fe, 1884" is a must-see for anyone interested in American history, art, or the natural world. This etching is a treasured addition to the collections of the National Gallery of Art in Washington, D.C., and is a reminder of the rich heritage and history that lies within the United States. Moran's "On the Road to Santa Fe, 1884" is a powerful reminder of the beauty and challenges of the natural world, and the indomitable spirit of those who dared to explore it.
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