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Russian architectural ornament and wood carving, (1898). Creator: Unknown
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Russian architectural ornament and wood carving, (1898). Creator: Unknown
Russian architectural ornament and wood carving, (1898). Fig 1: Phantastic church-cupolas at Jaroslaw, 17th and 18th century. Figs 2 and 3: Gilt wood carvings of the Baldaquin of the Imperial chair in the Nicolay church, Jaroslaw, 17th century. Fig 4: From a baldaquin in the Museum of the Imperial Academy of Arts. Figs 5 and 6: Carved roses on the principal door of the altar, church of St. John, near Rostow, 17th century. Figs 7-10: Window frames of wooden houses in the government Wologda. Figs 11-13: Gable ornaments in the same district. Figs 14 and 15: Ornamental Boards on sills etc. Figs 16-19: Roses on the wings of doors, made of small panels, Government of Samara. Figs 20 and 21: Portions of such roses. Fig 22: Capital with vegetable ornaments. Plate 34b from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778094
© The Print Collector/Heritage Images
Adam B T Batsford Bamp W Batsford Bt Batsford Chromolithograph Dolmetsch Dome Domed Domes H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Onion Dome Ornament Pierced Wood Carving Interior Decoration Interior Design
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EDITORS COMMENTS
This print showcases the exquisite Russian architectural ornament and wood carving from the late 17th and 18th centuries. The unknown creator beautifully captures various elements of Russian artistry, providing a glimpse into the country's rich cultural heritage. Figures 1 to 3 highlight the phantastic church-cupolas at Jaroslaw, displaying intricate gilt wood carvings in the Baldaquin of the Imperial chair in Nicolay church. Fig 4 presents an ornate baldaquin found in the Museum of the Imperial Academy of Arts, while Figs 5 and 6 showcase carved roses on the principal door of St. John's Church near Rostow. The print also features stunning window frames (Figs 7-10) and gable ornaments (Figs 11-13) from wooden houses in Wologda. Additionally, it includes decorative boards on sills (Figs 14 and15), delicate rose patterns on doors' wings (Figs16-19), and a capital adorned with vegetable ornaments (Fig22). Originally published as Plate34b in "The Historic Styles of Ornament" translated by H. Dolmetsch, this lithograph offers a visual feast for enthusiasts interested in interior design, religious arts, or architectural history. With its black-and-white aesthetic capturing every intricate detail, this print is a testament to Russia's artistic prowess during these centuries. It serves as both a historical document and an inspiration for contemporary designers seeking unique patterns and motifs rooted in tradition.
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