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Saint John the Evangelist on Patmos, title page from Hymni de tempore et de sanctis, 1516

Saint John the Evangelist on Patmos, title page from Hymni de tempore et de sanctis, 1516


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Saint John the Evangelist on Patmos, title page from Hymni de tempore et de sanctis, 1516

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Media ID 20569559

© Heritage Art/Heritage Images

Baldung Baldung Grien Baldung Grien Hans Baldung Hans Blackletter Gothic Script Grien Grien Baldung Grien Hans Baldung Grun Grun Hans Baldung Hans Hans Baldung Hans Baldung Grien Hans Baldung Grun Hymn Hymns Latin Northern Renaissance Saint John The Evangelist Script Title Page Vision Graphic Design


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Hans Baldung Grien

> Arts > Artists > B > John Bird

> Arts > Artists > G > Hans Baldung Grien

> Arts > Artists > M > Hans Maler

> Arts > Artists > W > John White

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print showcases the title page from Hymni de tempore et de sanctis, a hymn book published in 1516. Created by the renowned German artist Hans Baldung, also known as Hans Baldung Grien or Hans Baldung Grun, this woodcut depicts Saint John the Evangelist on Patmos. The image transports us to the 16th century with its gothic script and intricate design. The use of blackletter typography adds an air of mystique and authenticity to this religious artwork. In the foreground, we see Saint John himself, depicted as a bald man engrossed in deep contemplation. He is surrounded by various birds symbolizing his connection to nature and divine inspiration. Baldung's skillful rendering captures both the spiritual essence of Christianity and the artistic style prevalent during that era. The inclusion of Madonna further emphasizes the religious significance of this piece. As we delve into this historical masterpiece, it becomes evident that it belongs to Northern Renaissance art—a period characterized by meticulous attention to detail and rich symbolism. This woodcut exemplifies how art was used not only for aesthetic purposes but also as a means to convey profound religious messages. Now preserved at The Metropolitan Museum of Art, this print serves as a testament to our cultural heritage—an exquisite representation of faith intertwined with artistic expression. It invites us to explore our spirituality while appreciating the beauty found within centuries-old masterpieces like those created by Hans Baldung.

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