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Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Creator: Bergognone, Ambrogio (1453-1523)

Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Creator: Bergognone, Ambrogio (1453-1523)


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Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Creator: Bergognone, Ambrogio (1453-1523)

Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Found in the Collection of the Accademia Carrara, Bergamo

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Media ID 36216624

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Accademia Carrara Ambrogio 1453 1523 Bergamo Bergognone Christian Church Holy Women Milanese School Myrrhbearing Women Persecution Of Christians Roman Empire Saint Lucia Saint Lucy Santa Lucia


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> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Lombardy > Bergamo

> Europe > Italy > Tuscany > Carrara

> Historic > Ancient civilizations > Roman Empire > Roman art

> Historic > Renaissance art > Italian Renaissance art

> Italian renaissance art

> North America > Saint Lucia > Related Images


EDITORS COMMENTS
This exquisite painting, titled "Saint Lucia" and dated between 1515 and 1520, is a masterpiece by the renowned Milanese artist Ambrogio Bergognone. It is part of the San Bartolomeo Polyptych, now housed in the Accademia Carrara in Bergamo, Italy. The work depicts Saint Lucia, a revered early Christian saint and martyr, who is traditionally represented holding a tray with her own eyes, symbolizing her self-mutilation to avoid being forced into a pagan temple and giving her eyes to a young man instead. Saint Lucia's story is deeply rooted in the persecution of Christians during the Roman Empire. Born in Sicily, she was a noblewoman who dedicated her life to serving the poor and the sick. When Emperor Diocletian issued an edict against the Christian faith, Lucia refused to renounce her beliefs and was subjected to various tortures, including being exposed to the wild animals and being sentenced to death by sword. Bergognone's depiction of Saint Lucia captures her unwavering faith and courage in the face of persecution. The oil on wood painting showcases the artist's exceptional skill in capturing the delicate details of the saint's face and the rich textures of her flowing robes. The saint is surrounded by other myrrh-bearing women, further emphasizing her status as a holy figure in the Christian Church. The painting's intricate composition and the use of vibrant colors are characteristic of the Renaissance period, reflecting the artistic innovation and spiritual depth of the time. Bergognone's "Saint Lucia" stands as a testament to the enduring power of faith and the resilience of the human spirit in the face of adversity.

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