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Saints Antony the Hermit and Lucy, ca 1470. Creator: Crivelli, Carlo (c. 1435-c. 1495)

Saints Antony the Hermit and Lucy, ca 1470. Creator: Crivelli, Carlo (c. 1435-c. 1495)


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Saints Antony the Hermit and Lucy, ca 1470. Creator: Crivelli, Carlo (c. 1435-c. 1495)

Saints Antony the Hermit and Lucy, ca 1470. Found in the collection of the Muzeum Narodowe, Krakow

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Media ID 36241215

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Abbot Anchorite Anthony The Hermit Antony Ascetic Cave Christian Monk Crivelli Faith Ghostes Hermit Holy Virgin Martyr Krakow Loyalty Lucia Of Syracuse Martyr Martyrdom Monk Muzeum Narodowe Patron Saint Persecution Of Christians Roman Empire Saint Lucia Saint Lucy Saints St Anthony The Great Temptation Venetian School Visions


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> Arts > Artists > C > Carlo Crivelli

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Heritage Sites > Syracuse and the Rocky Necropolis of

> Europe > Italy > Sicily > Syracuse

> Historic > Ancient civilizations > Roman Empire > Roman art

> Historic > Renaissance art > Italian Renaissance art

> Italian renaissance art

> North America > Saint Lucia > Related Images

> Popular Themes > Cave Paintings


EDITORS COMMENTS
Saints Antony the Hermit and Lucy, painted by the renowned Venetian artist Carlo Crivelli around 1470, is a stunning example of Italian Renaissance art now housed in the Muzeum Narodowe in Krakow. The oil on wood painting depicts two revered saints of the Christian faith: Saint Antony the Hermit and Saint Lucy, the holy virgin martyr. Saint Antony, portrayed as an elderly abbot with a shaved head and dressed in the traditional brown robe and cowl of a monk, sits in a rocky cave, surrounded by the desert landscape. His gaze is focused intently on the open Bible in his hands, as if in deep meditation. The presence of ghostly figures in the background, possibly representing temptations, adds an element of drama and intrigue to the scene. Saint Lucy, on the other hand, is depicted as a young, elegant woman, dressed in rich robes and holding a palm branch and a vial of oil, symbols of her martyrdom. Her expression is serene and calm, reflecting her unwavering faith and loyalty in the face of persecution in the Roman Empire. The painting's intricate details, rich colors, and masterful use of perspective are characteristic of the Gothic style, which dominated European art during the late Middle Ages. The influence of the Venetian School is evident in the use of chiaroscuro, or the contrast between light and dark, to create depth and texture. The image of Saints Antony and Lucy has endured through the centuries as a powerful reminder of the importance of faith, perseverance, and loyalty in the face of adversity. Their stories continue to inspire and captivate viewers, making this painting a true masterpiece of Christian art.

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