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A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Artist: William Hogarth

A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Artist: William Hogarth


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A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Artist: William Hogarth

A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917180

© The Print Collector / Heritage-Images

Altar Altarpiece Dove Emily Morse Emily Morse Symonds George Paston Harp Harpist Hogarth Holy Ghost Kent Lute Organ Paston Ray Of Light St Clement Danes Stringed Instrument Symonds W Hogarth William Hogarth William Kent Putti


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A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725

EDITORS COMMENTS
is a captivating print that transports us back to the vibrant art scene of 18th century Britain. Created by renowned artist William Hogarth, this satirical piece challenges traditional religious imagery with its clever wit and social commentary. In this thought-provoking illustration, we see an elaborate altarpiece adorned with cherubs and angelic figures. However, instead of conveying a sense of divine reverence, Hogarth injects humor into the scene by depicting these heavenly beings engaged in mundane activities. A mischievous bird perches atop the altar while a dove flutters nearby, adding an element of whimsy to the composition. The central figure is a musician playing a harp-like instrument known as a lute. Bathed in rays of light streaming through stained glass windows, he seems oblivious to his surroundings as he strums away melodically. This juxtaposition between sacred space and secular activity serves as a biting critique on the role of music within religious institutions. Hogarth's satire extends beyond mere mockery; it delves into deeper societal issues surrounding religion and artistic expression during this period. By challenging established norms through visual storytelling, he invites viewers to question their own beliefs and consider alternative perspectives. This remarkable print captures not only Hogarth's mastery as an artist but also his ability to provoke intellectual discourse through his work. It stands as a testament to the enduring power of

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