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Last scene of the tragedy "Rodogune" at the Theatre-Francais, 1810. Creator: Jacques Augustin Pajou. Last scene of the tragedy "Rodogune" at the Theatre-Francais, 1810. Creator: Jacques Augustin Pajou
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Last scene of the tragedy "Rodogune" at the Theatre-Francais, 1810. Creator: Jacques Augustin Pajou. Last scene of the tragedy "Rodogune" at the Theatre-Francais, 1810. Creator: Jacques Augustin Pajou
Last scene of the tragedy "Rodogune" at the Theatre-Francais, 1810
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Media ID 36242311
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Canvasmaterial Carnavalet Museum Comedie Francaise Hellenistic Parent Pierre Corneille Poison Poisoned Theatre Francais Theatre Francaise Tragedy Tragic Corneille Pierre Musee Carnavalet P Corneille Paris Museums Playhouse
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EDITORS COMMENTS
This oil painting by Jacques Augustin Pajou depicts the last scene of the tragic play "Rodogune" at the Theatre-Francais in Paris, 1810. The play, written by Pierre Corneille, tells the story of the Hellenistic queen Rodogune, who, in an act of desperate love and loyalty, poisons her own son to spare him from an arranged marriage to the enemy's daughter. In this poignant scene, the queen, portrayed by Catherine Josephine Duchesnois, is shown cradling the lifeless body of her son, Guy, played by M. Rafin. The anguish and sorrow etched on her face is palpable as she clutches the poisoned chalice, a symbol of her tragic fate. The other actors, including Cleopatra Thea, stand frozen in shock and disbelief, their expressions conveying a sense of disbelief and sadness. The painting, now housed at the Musee Carnavalet in Paris, is a testament to the rich theatrical heritage of France in the 19th century. The use of oil on canvas material adds depth and texture to the image, bringing the characters and their emotions to life. The painting also serves as a poignant reminder of the complexities of motherhood and the sacrifices that some mothers are willing to make for their children. The painting's historical significance is further emphasized by the formal attire of the actors, the grandeur of the playhouse, and the ornate decorations, all of which transport the viewer back to the Theatre-Francais of 1810. Overall, this painting is a powerful and moving representation of the tragic consequences of love and loyalty, and a testament to the enduring power of the theatre as an institution for entertainment and reflection.
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