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Self-Portrait (Autoportrait à l'ami Daniel), 1896. Creator: Gauguin, Paul Eugéne Henri (1848-1903)

Self-Portrait (Autoportrait à l'ami Daniel), 1896. Creator: Gauguin, Paul Eugéne Henri (1848-1903)


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Self-Portrait (Autoportrait à l'ami Daniel), 1896. Creator: Gauguin, Paul Eugéne Henri (1848-1903)

Self-Portrait (Autoportrait a l'ami Daniel), 1896. Found in the collection of the Musee d'Orsay, Paris

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Media ID 36233011

© Fine Art Images/Heritage Images

Gauguin Musee Dorsay Paul Eugene Henri 1848 1903 Paul Gauguin Postimpressionism


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > Paul Gauguin

> Arts > Artists > Paul Gauguin

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > France > Paintings

> Europe > France > Paris > Museums > Musee d'Orsay

> Europe > France > Paris > Sights > Musee d'Orsay


EDITORS COMMENTS
Self-Portrait (Autoportrait à l'ami Daniel)", painted by Paul Eugène Henri Gauguin in 1896, is a captivating work of art currently housed in the prestigious Musée d'Orsay in Paris. This exquisite oil on canvas painting, a testament to Gauguin's post-impressionist style, offers a unique insight into the artist's self-perception and his complex relationship with his friend Daniel de Monfreid. The painting depicts Gauguin in a thoughtful, introspective pose, with a serious expression on his face. He wears a simple white shirt and a red scarf draped around his neck, adding a touch of color to the otherwise monochromatic palette. The background is a chaotic blend of blues, greens, and yellows, reflecting the artist's turbulent emotions and inner turmoil. The title "Autoportrait à l'ami Daniel" suggests that this self-portrait was painted for Daniel, perhaps as a gift or a token of their friendship. The inclusion of Daniel's name in the title also raises questions about the role he played in Gauguin's life and artistic development. Some art historians believe that Daniel may have served as a model or muse for some of Gauguin's other works. Despite the painting's intimate title and apparent personal significance, "Self-Portrait (Autoportrait à l'ami Daniel)" is also a masterful exploration of form and color. Gauguin's bold brushstrokes and vibrant palette create a sense of movement and energy, drawing the viewer into the painting and inviting them to explore the depths of the artist's mind and soul. In conclusion, "Self-Portrait (Autoportrait à l'ami Daniel)" is a fascinating and enigmatic work of art that offers a glimpse into the life and mind of one of the most influential artists of the post-impressionist movement. Its presence in the Musée d'Orsay is a reminder of the enduring power of art to inspire, provoke, and captivate us, and a testament to the enduring legacy of Paul Eugène Henri Gauguin.

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