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To from the series Saisho nana iroha, 1856. Creator: Utagawa Kunisada
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To from the series Saisho nana iroha, 1856. Creator: Utagawa Kunisada
To from the series Saisho nana iroha, 1856. Actors Ichikawa Ebizo V as Toshibei and Nakamura Utaemon IV as Sukune Taro
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Media ID 36357764
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1850s Calligraphy Danjuro Ichikawa V Danjuro Icjikawa Danjuro Ishikawa Danjuro V Icjikawa Ebizo Ichikawa Face Paint Fujima Kamesaburo Gepparo Gototei Ichikawa Danjuro V Ichikawa Ebizō Ichikawa Hakuen I Ichiyosai Icjikawa Danjuro Icjikawa Danjuro V Ishikawa Danjuro Ishikawa Danjuro V Japanese Era Kabuki Kabuki Actor Kinraisha Kochoro Kunisada Kunisada Utagawa Kunisada Utagawa I Lakeside Matsumoto Koshiro Iii Menace Menacing Nakamura Kanjaku I Nakamura Shikan Ii Nakamura Totaro Nakamura Tsurusuke I Nakamura Utaemon Iv Plotting Samurai Shaved Shozo Toyokuni Iii Tsunda Shozo Utaemon Nakamura Utagawa Kunisada Utagawa Kunisada I Utagawa Toyokuni Iii V Ichikawa Danjuro Colour Woodblock Print Hairdressing
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EDITORS COMMENTS
To: Ichikawa Ebizo V as Toshibei and Nakamura Utaemon IV as Sukune Taro, from the series Saisho Nana Iroha, 1856, is a stunning woodblock print by the renowned Japanese artist Utagawa Kunisada. This image showcases two prominent Kabuki actors of the Edo period, Ichikawa Ebizo V as Toshibei and Nakamura Utaemon IV as Sukune Taro. The print is a testament to the rich heritage of Japanese arts and entertainment during the 19th century. Ebizo V, portrayed as Toshibei, is depicted with a serious expression and a well-groomed, elaborate hairstyle, adorned with a traditional kanzashi hairpin. His vibrant, colorful attire consists of a furisode kimono, a long-sleeved, open-front kimono with decorative sleeves, and a hakama, a traditional divided skirt. His face is painted with intricate makeup, enhancing his features and conveying the intensity of his character. Nakamura Utaemon IV, portrayed as Sukune Taro, is shown with a mischievous grin and a more casual, yet equally impressive hairstyle. He wears a simple, yet elegant kimono, and his hakama is adorned with a geometric design. His face paint is less intricate than Ebizo V's, but still adds to the overall characterization of Sukune Taro. The print is a masterpiece of color woodblock printing, with intricate details and bold, vibrant colors. The background features a serene landscape with mountains, a river, and a bridge, adding to the overall beauty and harmony of the image. The calligraphy at the top of the print reads "Saisho Nana Iroha," which translates to "The Seven Colors of Spring," likely referencing the seasonal theme of the Kabuki play these actors were performing in. This print is a valuable piece of Asian art and cultural heritage, showcasing the intricacies of Japanese acting, fashion, and design during the Edo period. It is a must-have for any collection of Japanese art or for those interested in the history of Kabuki theatre.
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