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Shiro-gai, namima-gashiwa, makura-gai, iro-gai, aza-gai, sadae-gai, from the illustrated b... 1789. Creator: Kitagawa Utamaro
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Shiro-gai, namima-gashiwa, makura-gai, iro-gai, aza-gai, sadae-gai, from the illustrated b... 1789. Creator: Kitagawa Utamaro
Shiro-gai, namima-gashiwa, makura-gai, iro-gai, aza-gai, sadae-gai, from the illustrated book "Gifts from the Ebb Tide (Shiohi no tsuto)", Japan, 1789
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Media ID 36211519
© Heritage Art/Heritage Images
Aquatic Life Assorted Assortment Beach Beige Calligraphy Double Page Double Page Illustration From Book Gift Gifts From The Ebb Tide Kitagawa Utamaro Low Tide Natural History Page Present Seashell Seashore Shell Shore Tide Utamaro Utamaro Kitagawa Variety Color Woodblock Print
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This stunning woodblock print by the renowned Japanese artist Kitagawa Utamaro, titled "Shiro-gai, namima-gashiwa, makura-gai, iro-gai, aza-gai, sadae-gai," is a double page illustration from the book "Gifts from the Ebb Tide" (Shiohi no tsuto), created in Japan during the eighteenth century, specifically in the Edo period. The print showcases an intricate and exquisite arrangement of various assorted seashells, displayed against a beige background. The shells, presented in a still life composition, are arranged in a meticulously organized manner, creating a harmonious balance between color and form. The print is a prime example of the Ukiyo-e artistic school, which flourished during the eighteenth and nineteenth centuries in Japan. Ukiyo-e translates to "pictures of the floating world," reflecting the emphasis on the ephemeral and transient nature of life. This print, with its focus on the natural beauty of the seashore, embodies the spirit of Ukiyo-e. The shells, depicted in various sizes, shapes, and colors, are arranged in a way that highlights their unique characteristics. The intricate patterns and textures of each shell are brought to life through the meticulous woodblock printing process, which involves carving the design into a block and then pressing it onto paper. The print also features calligraphy, adding an element of literary and artistic refinement to the composition. This print is not only a testament to the artistic prowess of Kitagawa Utamaro but also a window into the natural history and scientific curiosity of the eighteenth century. The careful observation and documentation of the natural world were essential aspects of Japanese culture during this time, and this print reflects the deep appreciation for the beauty and diversity of the natural world.
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